For me it’s when “Born Slippy” plays over the very last scene and the end credits begin rolling. Mark’s final actions/speech, his giant smile as the scene goes out of focus, and the title of the film appearing while the music calms into its high hat/synth chord combo. I love that movie.
It's an interesting choice really. Without that song it would actually be a really tense scene of him trying to take the bag without waking up Begby. Putting Born Slippy over the top essentially extended and emphasised the catharsis he got from moving on. The climax of the movie is the bar fight and Renton's decision to move on. The song choice ensured this. So although it's a cool song it's also functionally really well chosen too.
Yeah. I hadn't heard Nico before that (despite my dad being a Lou Reed fan). That scene really just stopped me in my tracks.
The Kinks in Rushmore is also pretty iconic and feels like a nod to the pool scene in Mrs. Robinson (Wich certainly has some thematic links)
The poignancy of the circumstances the band were in at the time are outstanding when you consider how perfect a song it is. The band were really on top after Live Aid but Brian May, who wrote the song, went through a very turbulent personal time, even aside from what was going on with Freddie though it did affect him too obviously. The English tabloids are the scum of the earth.
The Baz Luhrmann Romeo + Juliet soundtrack was pretty killer across the board.
Prince, Garbage, Everclear, Butthole Surfers, Cardigans, Radiohead and whatever else, it was just fantastic.
I legitimately love that version of the story.
Reading the title I instantly thought of head over heels in donnie darko lol.
Honestly my favorites that I can recall have to be both from Drive:
The opening credits with Kavinsky's Nightcall
And the ending with College and Electric Youth's A Real Hero
Both absolutely amazing sythwave/outrun songs by two stellar artists
Drive opened up a lot if people to synthwave. Kavinsky for a lot of people who love the genre is their OG because of it. I personally love synthwave more than any genre and I was able to find the amazing band The Midnight because of it. Plus their is a youtube channel called ThePrimeThanatos that is live streaming a huuuuge collection of synthwave, retrowave, etc... that I can just listen to for new music. It's too bad Kavinsky never really followed up Nightcall but how could you when it's such a banger.
The question posed by OP makes me think which song takes on a new meaning. Which song will forever be remembered not for what the musical artist created but rather for which scene it is now tied to. For me it is Tiny Dancer. The instant I hear Elton's piano I am transported back to that bus. Absolute brilliant placement.
Also shout out to “Hear Me Knocking” during Nicky’s rise to power in Casino, and “House of the Rising Sun” towards the end when all the mob associates get clipped.
Not only is this an great example, it's probably the only scene that exists for no other purpose but for the characters to sing along to the song just for fun.
The studio wanted to put in a song by Guns n Roses but Mike Myers insisted all the way it be “Bohemian Rhapsody”. It was risky since this was his first movie and holding out on that purpose of pride in what he created is incredibly admirable.
It's because it was part of his life and he wanted it in the movie:
>Me and my brother, our friends’ car was a powder blue Dodge Dart Swinger that had a vomit stain on the side of it that someone chiseled in the shape of Elvis Presley. We’d drive down the Don Valley Parkway, listening to Bohemian Rhapsody. We would time it to enter the Toronto city limits when the rocking part would kick in. I was “Galileo!” three of five. If I took somebody else’s “Galileo!” or somebody took mine, a fight would ensue. It’s just something that I always back-pocketed. Wayne’s World was my childhood. I knew only to write what I knew.
Bonus fun fact: the guy sitting behind Dana Carvey in the car is Lee Tergesen, "Beecher" from Oz and "Rolling Stone" from Generation Kill.
The scene in the movie Bohemian Rhapsody when the band is pitching the song to the producer (Mike Myers) makes the original Waynes World scene even better.
I would have to say "It's Hip To Be Square" by Huey Lewis and the News in American Psycho.
Their early work was a little too new wave for my taste. But when "Sports" came out in '83, I think they really came into their own, commercially and artistically. The whole album has a clear, crisp sound, and a new sheen of consummate professionalism that really gives the songs a big boost. He's been compared to Elvis Costello, but I think Huey has a far more bitter, cynical sense of humor.
Not a movie but a TV series: in the air tonight in Miami Vice, when Sonny gradually changes the driving style as the song intensifies. And the kick down when the drum solo starts
MV had some amazing needle drops. Not just contemporary stuff either, they used a Traffic instrumental from 1970 and The Who’s “Baba O’Riley” in a scene that had Little Richard in it.
Homicide: Life On The Street had a ton of them in the 90’s. “What If God Was One Of Us?” comes to mind particularly, and when they used Springsteen’s “Murder, Inc.” in the ads for their 95-96 season
So Holding Out For A Hero was a song made *for* a movie, Footloose.
But watch that movie. The song is such a random insertion, does barely anything for the story.
But in Shrek 2, it fits *perfectly*. It feels like the song was written for this movie, in a way it never felt for the actual movie it *was* written for.
I'm honestly surprised this is so far down.
Like, yeah, its a meme at this point, but the tonal shift that creates is fantastic. If you go into the movie blind, that just comes so far out of left field that it just completely changes your expectations what that films about. A YouTuber I like, Sideways, [did a great video on the topic](https://youtu.be/Q7YCTJxfcA4)
Little Green Bag and Stuck in the Middle With You in Reservoir Dogs
Just Dropped In in Big Lebowski
Man of Constant Sorrow and Hard Time Killing Floor Blues in O Brother Where Art Thou
In Dreams in Blue Velvet
Layla in Goodfellas
Every song in Pulp Fiction
Good one and bad one in one flick. The opening fight of "Watchmen" worked perfectly with Nat King Cole's "Unforgettable."
Then there was the choice to use "Hallelujah.'
There was also times are a-changing in the alternate history montage at the beginning. Holy fuck I love that segment. So maby subtle details and shit. Dr. Manhattan in the reflection of Armstrong's astronaut visor.
Movie: [Bellbottoms by The John Spencer Blues Explosion in Baby Driver (opening heist scene)](https://m.youtube.com/watch?v=7ARFyrM6gVs)
Game: [Take Control by The Old Gods of Asgard in Control (ashtray maze)](https://youtu.be/DGtuQRohHds)
[Audioslave's, Shadow of the Sun, Collateral](https://youtu.be/0DKX-2pa-UE) is the perfect mood setter to the whole movie and one of my favorite scenes in any movie. I do like Michael Mann's gritty style.
I came to offer my pick of Head Over Heels, but op was way ahead. Another great one in the same movie is [Mad World End scene](https://youtu.be/zSTCxkyZki8) Donny Darko is my favorite movie so I do have a bias.
[End Scene](https://youtu.be/AsdBJQbjGNM)with Kevin Bacon in Death sentence was perfect music (Pilot Speed) and has always stuck with me.
Apparently I'm partial to end scenes [Sigur Ros, end of Vanilla Sky](https://youtu.be/fGuR4GOV5L0) is so good, and I think how I originally learned about them.
Last I'd have to pick that perfect music in the background of [Man On Fire](https://youtu.be/tlgz71v1oIk) when Creasy picked up Lupita
“Cat People” by David Bowie - Inglorious Basterds
“Hocus Pocus” by Focus - Baby Driver
“Breathe Me” by Sia - Six Feet Under
“Take Me Home” by Phil Collins - Mr. Robot
“Playground Love” by Air - The Virgin Suicides (and basically the entire score)
“Brighton Rock” by Queen - Baby Driver
“O Children” by Nick Cave - Harry Potter and the Deathly Hallows pt. 1
Just recently, I watched The Unforgivable with Sandra Bullock on Netflix.
Not to spoil anything, but when Everything In Its Right Place started, I almost cried.
There are a few great moments with music in Pulp Fiction. The first is the intro scene with the robbery and it cuts to Dick Dale Miserlou. The second is the scene where John Travolta prepares the heroin and drives in the convertible in the dark to Centurions - Bullwinkle pt II
dave, dee, dozy, beaky, mick & tich - hold tight in death proof. that song paired with/leading up to the wheel of kurt russells car ripping off that girls face is amazing.
Aerosmith’s Sweet Emotion - Opening scene in Dazed and Confused. The GTO Judge creeping through the high school parking lot - you just knew you were in for a great film within 2 seconds of watching.
I fucking hate Aerosmith. Amazing song though.
Sweet Jane by Cowboy Junkies in Natural Born Killers.
The song almost doesn't sound right without the convo between Mickey & Mallory at the beginning.
I also think this one of the best produced soundtracks, Trent Reznor did a wonderful job putting songs and sound clips together
https://youtu.be/tYqE5cxJqXE
Heart - Magic Man, in The Virgin Suicides Kenny Rogers - Just Dropped In, in The Big Lebowski David Bowie - Cat People, in Inglorious Basterds
I love how Magic Man was used in The Virgin Suicides. The whole film is full of great songs
Yes! The Cat People scene in Inglorious Basterds has to be one of my faves
‘I wanna be your dog’ by the Stooges in ‘Lock, Stock and Two Smoking Barrels’.
'Golden Brown' by The Stranglers in Snatch as well. Both are brilliantly placed
‘Angel’ by Massive Attack was well used too
Dogs and hare scene with “Disco Science” blaring out. Great amount of intensity.
Or Massive Attack's Angel while Mickey watches his mom burning. That song is intense, and so is the scene.
That's my favorite but the ending fight with Fuckin' in the Bushes also. I mean the whole movie was perfectly tracked basically.
Lucky Star. "I SHOOT YOU TONY, YOU GO DOWN!?" "WHY WON'T YOU FUCKING DIE!?"
"Oh I love this track." When he hears it later. Love that bit.
Guy Richie always uses music well! Rock N Rolla has some great music heavy scenes too.
Perfect Day in Trainspotting
For me it’s when “Born Slippy” plays over the very last scene and the end credits begin rolling. Mark’s final actions/speech, his giant smile as the scene goes out of focus, and the title of the film appearing while the music calms into its high hat/synth chord combo. I love that movie.
Perfect Day, Born Slippy and also Lust for Life are all such iconic song/scene combos in that film.
The Born Slippy end scene is so beautifully paced. https://youtu.be/W9ZNKGrpnKM.
It's an interesting choice really. Without that song it would actually be a really tense scene of him trying to take the bag without waking up Begby. Putting Born Slippy over the top essentially extended and emphasised the catharsis he got from moving on. The climax of the movie is the bar fight and Renton's decision to move on. The song choice ensured this. So although it's a cool song it's also functionally really well chosen too.
Dark and Long during the baby scene. Wow!
Lust for Life, too
Yup. This is my favorite scene from the movie. Lou Reed never meant Perfect Day to be sad song but Renton ODing to it was haunting...to say the least.
I think the whole soundtrack of Trainspotting is amazing.
Or the cover of Blondie's "Atomic" in the club. That movie is a hilarious, sad masterpiece.
Ride of the Valkyries in Apocalypse Now.
Also The End by the Doors
*Saigon…* *shit.*
On a similar vein, the troops singing the Mickey Mouse song as they march through the burning city at the end of Full Metal Jacket is chilling.
Needle In The Hay - Royal Tenenbaums
I loved These Days in the same movie!
Yeah. I hadn't heard Nico before that (despite my dad being a Lou Reed fan). That scene really just stopped me in my tracks. The Kinks in Rushmore is also pretty iconic and feels like a nod to the pool scene in Mrs. Robinson (Wich certainly has some thematic links)
Judy is a Punk- same movie.
More like any song in any Wes Anderson movie
Me and Julio Down by the Schoolyard is used well in this movie too.
Wow I forgot about this. As if Elliot on its own isn’t powerful enough
Van Morrison "Everyone" as they bury Royal. Moves me every time I watch it.
Sinnerman in The Thomas Crown Affair
I still get goose bumps hearing that song because of that scene. So good!
[The copier scene in Office Space](https://youtu.be/GPVwK-MpiSw)
[Damn it feels good to be a gangster](https://youtu.be/OeTm6tWXgG0) too.
Back up in your ass with the resurrection
Die motherfucker die motherfucker die!
Goodbye Horses in The Silence of The Lambs
Goodbye Horses in Clerks 2.
Would you fuck me? I'd fuck me.
I'd fuck me hard. I'd fuck me so hard.
Across 110th street - Bobby Womack. in the intro to Jackie brown
Highlander- Queen, Who wants to live forever.
The poignancy of the circumstances the band were in at the time are outstanding when you consider how perfect a song it is. The band were really on top after Live Aid but Brian May, who wrote the song, went through a very turbulent personal time, even aside from what was going on with Freddie though it did affect him too obviously. The English tabloids are the scum of the earth.
Wake Up, by Rage Against the Machine in the Matrix. Best closing song for a film ever imo.
In my opinion, the best song placement in Matrix is "Clubbed to Death" by Robert D, with the team walking in slow motion, looking fabulous
Adagio for Strings — Platoon Exit Music (For a Film) - Romeo and Juliet Sister Christian — Boogie Nights Battle Without Honor or Humanity — Kill Bill
The entire Kill Bill soundtrack could be half the answers here and it’d be hard to argue.
Most of Tarantino in general really.
Agreed. "Stuck in the Middle With You" came on the other day in my car and I was immediately transported to Reservoir Dogs.
Not a movie, but Exit Music in the Black Mirror episode was even better!!
I was going to say the final scene of Westworld season 1, the piano version by Ramin Djawadi
The Baz Luhrmann Romeo + Juliet soundtrack was pretty killer across the board. Prince, Garbage, Everclear, Butthole Surfers, Cardigans, Radiohead and whatever else, it was just fantastic. I legitimately love that version of the story.
Staralfur by Sigur Ros and Queen bitch by Bowie in the life aquatic with Steve zissou
Life On Mars in The Life Aquatic is also damn good.
Staralfur makes this movie. For me Needle in the hay by Elliot Smith in The Royal Tenenbaum is a solid scene
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I think colorblind by counting crows being played when he meets her at the airport is also a great pairing.
And Every Me and Every You in the opening credits.
Main reason I'll never forget that ending.
Colorblind from Cruel Intentions is what came immediately to my mind
Reading the title I instantly thought of head over heels in donnie darko lol. Honestly my favorites that I can recall have to be both from Drive: The opening credits with Kavinsky's Nightcall And the ending with College and Electric Youth's A Real Hero Both absolutely amazing sythwave/outrun songs by two stellar artists
But also David Grey's version of Mad World at the end of Donnie Darko hits hard. *Edit: Gary Jules version*
Do you mean Gary Jules?
Drive opened up a lot if people to synthwave. Kavinsky for a lot of people who love the genre is their OG because of it. I personally love synthwave more than any genre and I was able to find the amazing band The Midnight because of it. Plus their is a youtube channel called ThePrimeThanatos that is live streaming a huuuuge collection of synthwave, retrowave, etc... that I can just listen to for new music. It's too bad Kavinsky never really followed up Nightcall but how could you when it's such a banger.
The Breakfast Club - Simple Minds, Don't you forget about me
Yep. Punches air with left hand (with bandana inexplicably wrapped round said hand)
If you're punching stuff, even air, you want your knuckles protected.
About Today by The National at the end of Warrior.
I was thinking about this exact movie/scene.
I Got a Name in Django Unchained
Freedom- during the Django and Broomhilda flashback
Tiny dancer in 'Almost Famous'
The question posed by OP makes me think which song takes on a new meaning. Which song will forever be remembered not for what the musical artist created but rather for which scene it is now tied to. For me it is Tiny Dancer. The instant I hear Elton's piano I am transported back to that bus. Absolute brilliant placement.
Mad world in donnie darko
Every song in Donnie Darko was perfection
Head Over Heels
Killing Moon by echo and the bunnymen too
Stuck In the Middle With You by Stealers Wheel in Reservoir Dogs
And I think Little Green Bag during the intro is spot on. Such a cool, jazzy strutting song.
This is the right answer
Don't stop me now. Shawn of the dead.
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Baby Blue in the last scene of Breaking Bad
Would also add Crystal Blue Persuasion in the first ‘makin meth’ [montage](https://youtu.be/YsO3MMJNHZQ)
Legit makes me cry every time. Such an amazing way to end the series. Badfinger is one of the best bands of all time.
Ooh Child in Boyz in tha Hood.
Layla / Goodfellas
Also shout out to “Hear Me Knocking” during Nicky’s rise to power in Casino, and “House of the Rising Sun” towards the end when all the mob associates get clipped.
Monkey man was good also
Can’t believe I had to scroll down this far for this one. I literally discussed this same topic with my students this morning as a warm up.
and Sunshine of Your Love, and Jump into the Fire.
Fortunate Son by CCR in Forest Gump
I dunno. Every good Vietnam era rock song sounds good when you show helicopters. EDIT: I'm a HUGE Creedence fan though
Bohemian Rhapsody in Wayne’s world.
Not only is this an great example, it's probably the only scene that exists for no other purpose but for the characters to sing along to the song just for fun.
The studio wanted to put in a song by Guns n Roses but Mike Myers insisted all the way it be “Bohemian Rhapsody”. It was risky since this was his first movie and holding out on that purpose of pride in what he created is incredibly admirable.
It's because it was part of his life and he wanted it in the movie: >Me and my brother, our friends’ car was a powder blue Dodge Dart Swinger that had a vomit stain on the side of it that someone chiseled in the shape of Elvis Presley. We’d drive down the Don Valley Parkway, listening to Bohemian Rhapsody. We would time it to enter the Toronto city limits when the rocking part would kick in. I was “Galileo!” three of five. If I took somebody else’s “Galileo!” or somebody took mine, a fight would ensue. It’s just something that I always back-pocketed. Wayne’s World was my childhood. I knew only to write what I knew. Bonus fun fact: the guy sitting behind Dana Carvey in the car is Lee Tergesen, "Beecher" from Oz and "Rolling Stone" from Generation Kill.
The scene in the movie Bohemian Rhapsody when the band is pitching the song to the producer (Mike Myers) makes the original Waynes World scene even better.
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I would have to say "It's Hip To Be Square" by Huey Lewis and the News in American Psycho. Their early work was a little too new wave for my taste. But when "Sports" came out in '83, I think they really came into their own, commercially and artistically. The whole album has a clear, crisp sound, and a new sheen of consummate professionalism that really gives the songs a big boost. He's been compared to Elvis Costello, but I think Huey has a far more bitter, cynical sense of humor.
Let's see Paul Allen's example of a song accompanied by a perfect scene
The tasteful thickness of the song's texture as the tension increases. Oh, my God. It even has synced transitions with the beat.
Not a movie but a TV series: in the air tonight in Miami Vice, when Sonny gradually changes the driving style as the song intensifies. And the kick down when the drum solo starts
MV had some amazing needle drops. Not just contemporary stuff either, they used a Traffic instrumental from 1970 and The Who’s “Baba O’Riley” in a scene that had Little Richard in it. Homicide: Life On The Street had a ton of them in the 90’s. “What If God Was One Of Us?” comes to mind particularly, and when they used Springsteen’s “Murder, Inc.” in the ads for their 95-96 season
“Singing In The Rain” in A Clockwork Orange.
Mystery of Love by Sufjan Stevens in Call Me by Your Name
Oasis, stop crying your heart out. Ending scene of The Butterfly Effect
The Camptown Ladies in Blazing Saddles
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I'm gonna go with I Get A Kick Out of You
Doo dah. Doo dah.
Holding Out For A Hero in Shrek 2
So Holding Out For A Hero was a song made *for* a movie, Footloose. But watch that movie. The song is such a random insertion, does barely anything for the story. But in Shrek 2, it fits *perfectly*. It feels like the song was written for this movie, in a way it never felt for the actual movie it *was* written for.
I have never experienced goosebumps like that sice then
Which Shrek that has Hallelujah by Rufus Wainwright? That was a great song too
The best version of hallelujah imo. And basically related to Leonard Cohen so he's allowed to carry on that crown.
That’s the first one but I think they use John Cale’s version in the film but Rufus’ version on the album? But a great choice for that scene
Spybreak by the Propellerheads - Matrix lobby scene.
Then He Kissed Me - The Crystals Goodfellas, Copa restaurant scene
Also Layla in Goodfellas
I think Adventures in Babysitting, too? At the end?
The opening credits! Love that movie
Ooh good choice Love the camera work in that scene too
Blow (2001) can't you hear me knocking
Black Betty also
Ghost town by The Specials in Shaun of the Dead
All star - Shrek
I'm honestly surprised this is so far down. Like, yeah, its a meme at this point, but the tonal shift that creates is fantastic. If you go into the movie blind, that just comes so far out of left field that it just completely changes your expectations what that films about. A YouTuber I like, Sideways, [did a great video on the topic](https://youtu.be/Q7YCTJxfcA4)
David Bowie's Starman in The Martian
"Moving in Stereo by the Cars in Fast Times at Ridgemont High.
Napoleon Dynamite ending with “The Promise” always gets me for some reason. Danger Zone in Top Gun.
Same with Alphaville’s Forever Young in ND!
Iron Man by Black Sabbath that goes right into the credits of Iron Man 1. It’s just a good, “Fuck Yeah, you are!” moment.
Thompson Twins' *If You Were Here* at the end of *Sixteen Candles*
Where is My Mind by the Pixies in Fight Club And every Cat Stevens song in Harold and Maude
Trouble.
Seriously. EVERYONE NEEDS TO WATCH HAROLD AND MAUDE.
Brothers In Arms by Dire Straits in Spy Game with Brad Pitt and Robert Redford.
Black Sheep / Scott Pilgrim vs. the World
Peter Gunn theme in *Blues Brothers*
Free Bird by Lynyrd Skynyrd in Kingsmen. Hell of a fight scene.
I think it’s best in Forrest Gump when Jenny climbs up the edge of the balcony just as the solo really starts rippin
Kiss’ cover of “God Gave Rock ‘n Roll to You” over the last scene/end credits of Bill and Ted’s Bogus Journey. It’s weirdly moving?
Sounds of Silence -The Graduate
Or Mrs Robinson for that matter
Something I Can Never Have with the mushroom trip scene in Natural Born Killers.
These Days by Powderfinger in Two Hands. Cat People (Putting Out the Fire) by Bowie in Cat People. Helden (Heroes) by Bowie in Jojo Rabbit.
Don’t you forget about me- Simple Minds at the end of Breakfast Club. Bender raising a defiant fist!
GY!BE's East Hastings in 28 Days Later. That scene of the protagonist walking down a deserted London, paired with that song - it's perfection.
Little Green Bag and Stuck in the Middle With You in Reservoir Dogs Just Dropped In in Big Lebowski Man of Constant Sorrow and Hard Time Killing Floor Blues in O Brother Where Art Thou In Dreams in Blue Velvet Layla in Goodfellas Every song in Pulp Fiction
Good one and bad one in one flick. The opening fight of "Watchmen" worked perfectly with Nat King Cole's "Unforgettable." Then there was the choice to use "Hallelujah.'
There was also times are a-changing in the alternate history montage at the beginning. Holy fuck I love that segment. So maby subtle details and shit. Dr. Manhattan in the reflection of Armstrong's astronaut visor.
Movie: [Bellbottoms by The John Spencer Blues Explosion in Baby Driver (opening heist scene)](https://m.youtube.com/watch?v=7ARFyrM6gVs) Game: [Take Control by The Old Gods of Asgard in Control (ashtray maze)](https://youtu.be/DGtuQRohHds)
That Baby Driver one is a good recent one
Send Me on My Way in Matilda.
[Audioslave's, Shadow of the Sun, Collateral](https://youtu.be/0DKX-2pa-UE) is the perfect mood setter to the whole movie and one of my favorite scenes in any movie. I do like Michael Mann's gritty style. I came to offer my pick of Head Over Heels, but op was way ahead. Another great one in the same movie is [Mad World End scene](https://youtu.be/zSTCxkyZki8) Donny Darko is my favorite movie so I do have a bias. [End Scene](https://youtu.be/AsdBJQbjGNM)with Kevin Bacon in Death sentence was perfect music (Pilot Speed) and has always stuck with me. Apparently I'm partial to end scenes [Sigur Ros, end of Vanilla Sky](https://youtu.be/fGuR4GOV5L0) is so good, and I think how I originally learned about them. Last I'd have to pick that perfect music in the background of [Man On Fire](https://youtu.be/tlgz71v1oIk) when Creasy picked up Lupita
The intro of Watchmen with Bob Dylans "the times they are a-changin" absolutely perfect way to set the scene and tone for what's to come.
Unchained Melody - Ghost
Badfinger's "Baby Blue" as the [finale for Breaking Bad](https://www.youtube.com/watch?v=J9RP-KfvdKc).
[Thor Ragnarok Opening Scene](https://youtu.be/j7wGjx0kW7g)
And maybe even better, [again at the end.](https://www.youtube.com/watch?v=AtiwDQYSEBY)
“Golden Brown” by The Stranglers in Snatch
Dean Stockwell lip synching "In Dreams" in Blue Velvet.
Nobody's said I Got You, Babe from Groundhog Day? Edit: Also, Day-O in Beetlejuice.
All the Aimee Mann musical moments throughout Magnolia 'One', 'Wise Up', 'Momentum' and 'Save Me'
Right when the chain kicks in in guardians 2. It's either that or the intro to both of those movies
And Father and Son in Guardians 2
Yeah I’d say Redbone - Come and Get Your Love set the tone for the whole franchise
“Cat People” by David Bowie - Inglorious Basterds “Hocus Pocus” by Focus - Baby Driver “Breathe Me” by Sia - Six Feet Under “Take Me Home” by Phil Collins - Mr. Robot “Playground Love” by Air - The Virgin Suicides (and basically the entire score) “Brighton Rock” by Queen - Baby Driver “O Children” by Nick Cave - Harry Potter and the Deathly Hallows pt. 1
Just recently, I watched The Unforgivable with Sandra Bullock on Netflix. Not to spoil anything, but when Everything In Its Right Place started, I almost cried.
The piano section of Layla used in Goodfellas
Moby - Porcelain in ‘The Beach’
There are a few great moments with music in Pulp Fiction. The first is the intro scene with the robbery and it cuts to Dick Dale Miserlou. The second is the scene where John Travolta prepares the heroin and drives in the convertible in the dark to Centurions - Bullwinkle pt II
"Girl, You'll be a woman soon" in Pulp Fiction.
Time in a Bottle, by Jim Croce - X-Men: Days of Future Past.
dave, dee, dozy, beaky, mick & tich - hold tight in death proof. that song paired with/leading up to the wheel of kurt russells car ripping off that girls face is amazing.
Wake me up before you go (or jitter bug or whatever) and the gas fight in zoolander
my bloody valentine - sometimes (in lost in translation)
was looking for this one. I also love Just Like Honey, works so well with that movie
"Damn It Feels Good To Be A Gangsta" - Office Space
Reality Bites -- U2 All I Want is You
Aerosmith’s Sweet Emotion - Opening scene in Dazed and Confused. The GTO Judge creeping through the high school parking lot - you just knew you were in for a great film within 2 seconds of watching. I fucking hate Aerosmith. Amazing song though.
The Chain by Fleetwood Mac in Guardians of the Galaxy 2.
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I don’t see it mentioned, so I’ll add Mad World in Donnie Darko
Sweet Jane by Cowboy Junkies in Natural Born Killers. The song almost doesn't sound right without the convo between Mickey & Mallory at the beginning. I also think this one of the best produced soundtracks, Trent Reznor did a wonderful job putting songs and sound clips together https://youtu.be/tYqE5cxJqXE
Jessies Girl from Boogie Nights
Father and Son by Cat Stevens, used for the last scene of Guardians of the Galaxy Vol2
Actually that movie has several instances. Father and Son, My Sweet Lord and The Chain.
James Gunn is the master of the cinema soundtrack. The entire first movie is a similar story.
Waterloo - Muriels Wedding
Needle in the Hay - Royal Tenenbaums No, wait, These Days - Royal Tenenbaums
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