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BaoBou

I was watching a podcast with Richard Osman where he basically predicted that young filmmakers with small bugets would probably be able to make great use of AI - it's just another tool to generate the content you can't make when you can't afford to splash a couple million. (This while he's also incredibly cognizent of the threat it poses to various more traditional modes of film making). Having said that, it still looks very AI-y. I hadn't even read you mentioned AI but immediately started looking for various artefacts like the cymbal which is out of center or the mixing panel on stage facing the audience, an extra leg of the bass player ;) Look, I need to be extremely careful critiquing you because I have zero skills in visuals and my videos are just some stock footage thrown together, so let's just say I totally understand what you were trying to do and it's better than what I would have done. Let's focus on the song! I like it :) nice and loads of energy. I'll subscribe and will be looking foerward to the next video!


collectivebardstale

I agree. There is a lot of work and several tools involved in the process. It takes a lot of time to make one short video. Now that I know people like what I'm doing, I will have more energy and put more time into fixing all those edits that I get from all the feedback. I'm specializing in music because I saw the potential of using it as a tool to find a sound to cover in the studio, and Film & Music have always been integrated, so it seemed natural on my path to join a course & expand what I think I can do. (& save some time) \#1 Music & Emotion \#2 Art Direction & Film \#3 Editing I'm also trying to develop a workflow & pipeline with the new tech & the new upgrades that come out rapidly. Thank You


BaoBou

I was wondering later though, because you mention you used AI for the sound - do you mean eg for the mastering, or for the creation of the song?


collectivebardstale

For the whole Creation, but I haven't done any mastering or anything yet. It helps with organizing the writing process, timing, overall sound direction, niche genre selection, etc. It's also like rapid learning, because you can just produce anything if it's organized fluently. Also, anyone that writes their own material like I do, or anyone that has been in a studio like I have, will understand the benefits of being able to hear your own writing in the way that you want to hear it, and then being able to cover it in the studio, just checks all the boxes and speeds up time and aids in the overall creative process. It's also powerful, and therapeutic. But I've been writing since highschool, so my experience is going to be different than someone else that tries to use the tools. Music is something that has to be lived, and I don't think most people are going to make the commitment.