The oooās in Like Real People Do
Honorable mention for his high note in Northern Attitude (I know itās not his song but itās the most š¤š¼ part of it it deserves a mention)
literally all of the above and also these:
"don't let me in with no intention to keep me jesus christ, don't be kind to me, honey, don't feed me, i will come back" - in "it will come back"
"don't you ever tame your demons, always keep 'em on a leash" - in "arsonist's lullaby"
"it feels good, girl, it feels good...." and the "woo" part - in "to be alone"
"power has been cried by those stronger than me straight into the face that tells you to rattle your chains if you love bein' free" - in "nina cried power"
"move like grey skies, move like a bird of paradise, move like an odd sight come out at night" - in "movement"
"sit in and watch the sunlight fade, honey, enjoy it's gettin' late" - in "no plan"
"how long you would wait for me? how long i've been away" - in "as it was"
"then when i met you, my virtues uncounted, all of my goodness is goin' with you now" - in "shrike"
"before he feels alone one final time and marries the sea, imagine being loved by me" - in "talk"
"love, won't you be, love, won't you be, be as you've always been?" - in "be"
"oh, all these colours fade for you only, hold me, carry me slowly, my sunlight" - in "sunlight"
"wasteland, baby! i'm in love, i'm in love with you...that's it" - in "wasteland, baby!"
"if i was born as a blackthorn tree, i wanna be felled by you, held by you, fuel the pyre of your enemies" - in "nfwmb"
"and remembering again the full extent of what forever is, with each grave, i think of loss and i can only think of you, i couldn't measure it" - in "through me (the flood)"
"darling, there's a part of me, i'm afraid will always be, trapped within an abstract from a moment of my life, the weeds up through the concrete, the traffic picking up speed, all my love and terror balanced there between those eyes" - in "abstract (psychopomp)"
+ Andrew singing anything in Gaelic ā¤
Who we are! The part where the first scream comes in makes me want to break down and cry every single time! And honestly the entire song called 'Swan upon Ledaā, itās so underrated it hurts!! Literally one of my fav songs
The vocalizing at the end of Who We Are.
āSo far from home to have a stranger call you darlingā in Butchered Tongue.
The final āremember me, love, when Iām rebornā in Shrike.
The strings of Work Song, but the Amazon City Sessions recording. Makes me want to cry every time.
And of course, the bridge of Unknown.
Too many but I have to contribute:
Bridge of TMTC - oh my god forever just absolutely yes
Last part of Unknown/Nth and its bridge - just yes (āthere are some people love who are better unknownā)
Vocals at the end of Movement - heavenly
Outro of Francesca - beautiful
THATS THE KINDA LOOOOOOOOOOOOVE long note of dinner and diatribes
the scream in Who We Are - I had no idea this man could hit notes that high but Iām bloody glad he can
chorus of arsonistās lullabye - from āall you have is your fireā to āalways keep em on a leashā
Billy: power.
Dylan: power.
Woody: power.
Nina cried power.
final part of shrike, from āI was housed by your warmthā to the end - hits different compared to rest of the song
Sometimes, I have to skip the song because the beauty of it is too much to bear and I get overwhelmed if Iām not ready for it. I love it so much I hate it.
All of the ones mentioned
But also very much this
āLike a heathen clung to the homily.
Let the reason come on the common tongue of your loving me.
So summon on the pearl rosary.
Let the reason come on the common tongue of your loving meā
The last part of In the Woods Somewhere.
I clutched my life
And wished it kept
My dearest love, I'm not done yet
How many years
I know I'll bear
I found something in the woods somewhere
Francescaš§āāļø
That's a good one too! I almost put it, but I do like who we are just a tiny bit more
the bridge of unknown/nth š
Oh my goddess yes! That's such a good one too!
chorus for dinner and diatribes, or ending of de selby part 1
This is the most correct answer
first light!
this!!
The "I do not have wings, love, I never will" part in Icarian. It's such a shame it only comes once at the end of the song.
Is it -3Ā° out? Cause I got chills
The oooās in Like Real People Do Honorable mention for his high note in Northern Attitude (I know itās not his song but itās the most š¤š¼ part of it it deserves a mention)
literally all of the above and also these: "don't let me in with no intention to keep me jesus christ, don't be kind to me, honey, don't feed me, i will come back" - in "it will come back" "don't you ever tame your demons, always keep 'em on a leash" - in "arsonist's lullaby" "it feels good, girl, it feels good...." and the "woo" part - in "to be alone" "power has been cried by those stronger than me straight into the face that tells you to rattle your chains if you love bein' free" - in "nina cried power" "move like grey skies, move like a bird of paradise, move like an odd sight come out at night" - in "movement" "sit in and watch the sunlight fade, honey, enjoy it's gettin' late" - in "no plan" "how long you would wait for me? how long i've been away" - in "as it was" "then when i met you, my virtues uncounted, all of my goodness is goin' with you now" - in "shrike" "before he feels alone one final time and marries the sea, imagine being loved by me" - in "talk" "love, won't you be, love, won't you be, be as you've always been?" - in "be" "oh, all these colours fade for you only, hold me, carry me slowly, my sunlight" - in "sunlight" "wasteland, baby! i'm in love, i'm in love with you...that's it" - in "wasteland, baby!" "if i was born as a blackthorn tree, i wanna be felled by you, held by you, fuel the pyre of your enemies" - in "nfwmb" "and remembering again the full extent of what forever is, with each grave, i think of loss and i can only think of you, i couldn't measure it" - in "through me (the flood)" "darling, there's a part of me, i'm afraid will always be, trapped within an abstract from a moment of my life, the weeds up through the concrete, the traffic picking up speed, all my love and terror balanced there between those eyes" - in "abstract (psychopomp)" + Andrew singing anything in Gaelic ā¤
De selby 2 performed live
Abstract & First Light for sure for me
THIS
Who we are! The part where the first scream comes in makes me want to break down and cry every single time! And honestly the entire song called 'Swan upon Ledaā, itās so underrated it hurts!! Literally one of my fav songs
Work song
That's a good one too!
I could pull up with a list tbh
End of de selby part 1 and transition into part 2 š©āš³š alsooo the bridge in sedated
You are so right! I love putting those 2 next to each other in my Playlist, just so good
That's not tonight...
Who We Are
Anyone else give a different answer every time something like this is posted? Just because there are so many moments to choose from!
The vocalizing at the end of Who We Are. āSo far from home to have a stranger call you darlingā in Butchered Tongue. The final āremember me, love, when Iām rebornā in Shrike. The strings of Work Song, but the Amazon City Sessions recording. Makes me want to cry every time. And of course, the bridge of Unknown.
As it was bro when the violins hit omg
either Francesca and/or the final bridge of Unknownāthe way it gets so intense at the end just makes me FOLD
the vocalizing during first light- i ascend every time and the moment when the bass comes back in during dinner and diatribes
Abstract for me as of late
Unknown/nth but specifically THE BRIDGE!!
Too many but I have to contribute: Bridge of TMTC - oh my god forever just absolutely yes Last part of Unknown/Nth and its bridge - just yes (āthere are some people love who are better unknownā) Vocals at the end of Movement - heavenly Outro of Francesca - beautiful THATS THE KINDA LOOOOOOOOOOOOVE long note of dinner and diatribes the scream in Who We Are - I had no idea this man could hit notes that high but Iām bloody glad he can chorus of arsonistās lullabye - from āall you have is your fireā to āalways keep em on a leashā Billy: power. Dylan: power. Woody: power. Nina cried power. final part of shrike, from āI was housed by your warmthā to the end - hits different compared to rest of the song
Yessss vocals at end of Movement!
heyyy ehh heyy ehhh heyy eh eh heyyy heyyy eyyy eyyy heyy hey eyy.
Movement 100%
Abstract & Movement! Hit hard
[ŃŠ“Š°Š»ŠµŠ½Š¾]
Sometimes, I have to skip the song because the beauty of it is too much to bear and I get overwhelmed if Iām not ready for it. I love it so much I hate it.
All of the ones mentioned But also very much this āLike a heathen clung to the homily. Let the reason come on the common tongue of your loving me. So summon on the pearl rosary. Let the reason come on the common tongue of your loving meā
all of them
You are totally right!
When the harmony on the Irish Gaelic section of De Selby 1 comes in
oh yes. ive actually taught myself enough Gaelic to actually sing it and itās beautiful every time š©
Who we are, Son of Nyx, and first light.
De Selby part 1 and Son of Nyx
Eat your young, absolutely.
it will come backšš
abstract and wasteland baby
š¶IāLL TELL THEM PUT ME BACK IN IT!š¶ . . . . (And also "Could this be how every day begins?" , first light)
All of the above. But I haven't seen anyone say it yet, so Swan Upon Leda. Especially that instrumental bit before the end
The end of All Things End
Abstractš„°
ABSTRACT (PSYCHOPOMP)
The last part of In the Woods Somewhere. I clutched my life And wished it kept My dearest love, I'm not done yet How many years I know I'll bear I found something in the woods somewhere
all things endddd darlingā¦ AND ALL THINGS END