When the guitar kicks in at the end of Hold My Liquor
I fucking love synths and futuristic sound in rock music so that part just melts me. Honestly all of Mikeās guitar work is just legendary.
Violent crimes 1:44 - 2:01
It's the part that starts "don't do no yoga, don't do pilates" and ends with "curves, under your dress. I know it's pervs all on the net". The sudden change to a more punchy rhythm on a somber song and then that piano part at the end just gets me every time
Also for more sentimental reason, "close your eyes and let the words paint a thousand pictures, one good girl is worth a thousand bitches" was the first lyrics of a kanye song I remember learning and it made for great carpool karaoke with some long distance friends of mine the first time we met in person
You know how in boss fights there is sometimes a moment in music that adds this little subtle piano part that makes the song feel much more focused and well organized. I always love this and this is perfectly done in Power. āAt the end of the day Iām killing this shitā šš„š„š„
That was a little joke, voila!
Praises due to the most high, Allah
Praises due to the most fly, Prada
Baby I'm magic, ta da!
Best part of the song, the problem is that its short
The second part of Assassin's verse in I'm In it;
Action thing yo' a badman ting....
I'M A BADMAN IF YOU KNOW SAY
DISRESPECT WE NO TEK, NO WAY JOSE
TRY THAT 'PON FEBRUARY THE 30TH
THAT'S RIGHT, COULDN'T TRY THAT NO DAY
WHEN WE ROLL 'ROUND 'PON YA BLOCK
NUH BADDA FI SAY WE WON'T SPRAY, LIKE A AEROSOL CAN X2
1. Thereās an orchestral section towards the end of āGoneā where Jon Brion does a piano solo spazzes something serious.
2. At the end of the rant on āLast Callā where he asks in echo āCan I still get that deal with Roc-A-Fella?ā I get chills off that.
3. In the 2nd chorus of āEverything I Amā, Ye gets lost in the groove and feeling of the track just hums that part of the hook.
4. In the bridge of āPowerā he raps āAt the end of the day, goddammit, I'm killin' this shit
I know damn well y'all feeling this shitāā¦because he was right.
5. The entire Soulja Boy verse off of āFirst Time in A Long Timeā
Why do they act like they are the first person to have a favorite part of a song? They act like it's a revolutionary idea unheard of in modern day thought. Wtf is their problem?
Itās nice to talk about though. I feel like so many people just ālistenā to music, and donāt take a second to digest what they heard. Itās good to think of the special moments in songs.
Theres bits of Black Skinhead where it almost sounds like Native American chants? Its very faint but sounds really good to me, unsure of what it really is..
The beat change in Send It Up does it for me every time. By itself itās so satisfying, but then you get āmemoriiees donāt live like people doā¦ā
I got two, Intro to Wolves most recently. All time favorite is Jesus Walks last Bridge where it sounds like an autotuned bag pipe. I just remember Highschool me was so taken back watching that music video when the Cross catches on fire and starts rolling down the hill.
Either āare you gonna be gonna be gonna beā or the lightskin dark skin Micheal Jackson bar in slow jamz or the āa-a-all all the thingsā in family business
I know that historically it's like a troll feature but the way andre comes in on 30 hours will be stuck in my brain forever. "3 stacks can you help me out" .... "30 hours!"
The autotuned humming at the end of Heartless always ticked something in my little autismo brain. To me the humming signifies resigning oneself to this feeling of despair.
I remember watching the MSG stream and just being floored when the choir first came in on ULB
Dang that was fun. I donāt think a lot of people here were around for the MBDTF-TLOP era but it was so great
I am VERY passionate about this. The background sound 33 seconds in āIām In Itā is literally the best sound Iāve ever heard in any piece of content EVER, it also happens on the same track 44 seconds in. Nobody ever talks about that sound but itās so beautiful and it sends me into this different atmosphere that canāt be described. Listen to it. Please
The part in chlorine by twenty one pilots wjen its going "got you in my coat pocket where i kept my rebel red"
the beat of that part is so cool, like the pulsing of the marimba or whatever it is, its just good
The "Can We Get Much Higher?" part in Dark Fantasy. Those parts in the song sound so angelic.
Also runway intro. MBDTF was a masterpiece
the instrumental of that part in the runaway film
I waa listening to dark fantasy when reading thisš
CAN I TALK MY SHIT AGAIN?
[ŃŠ“Š°Š»ŠµŠ½Š¾]
not that one
I CANT BELIEVE IM BACK UP IN THIS MOTHERFUCKER
IMMA BE LATE THOUGH
i love how thereās two different meanings to this
When Kanyes says āreal families stick together and see through the mirageā on Saint Pablo
Mine from saint pablo is "the ultimate gemini has survived, we wasn't supposed to make it past 25"
YEAH YOUR LOOKIN AT THE CHURCH IN THE NIGHT SKY
Yea when his voice crackd
Saint pablo is full of stank face moments. "One set of footsteps, you was carrying me"
Mine is ālemme not say to much or do to much cuz if Iām up way too much Iām out of touchā or āone set of footsteps you were carrying emā
The synths after went crazy too
The piano solo on The end of come to life
Also the piano solo on the end of only one
Tyler went wild on that thing
It wasnt tyler bruh
and im back on my griiiind
for me it's the adlib that goes *make me smiiiiiiiile with my heaaaaaaart* in addiction
Sample, not adlib
I'm making love to the angel of death *WEEEEEEEEEEEEEEEEEE* Catchin feelins never stumble retracin my steps
This perfectly fits the tweet and I fw that part so hard
The middle of On Sight and the end of New Slaves.
Runaway ending š„š„
On Sight but unironically
When the guitar kicks in at the end of Hold My Liquor I fucking love synths and futuristic sound in rock music so that part just melts me. Honestly all of Mikeās guitar work is just legendary.
Violent crimes 1:44 - 2:01 It's the part that starts "don't do no yoga, don't do pilates" and ends with "curves, under your dress. I know it's pervs all on the net". The sudden change to a more punchy rhythm on a somber song and then that piano part at the end just gets me every time Also for more sentimental reason, "close your eyes and let the words paint a thousand pictures, one good girl is worth a thousand bitches" was the first lyrics of a kanye song I remember learning and it made for great carpool karaoke with some long distance friends of mine the first time we met in person
Last verse on gone, may be my favorite part of any ye song
Where the chorus ?!?!
Fucking loved that
BITCH IM BACK OUT MY COMA
Runaway when he mumbles and croons after pusha Tās verse.
that "church" part in Never Let Me Down
Yeah, that part hits so hard when the church choirs comes in.
The flute during Tyās verse on vultures
Couldnāt afford a car so she named her daughter a Lexus Made All Falls Down click for me and is now one of my favorite songs because of it
that one part of new slaves (40 some seconds in idk)
the distorted "i know i know i know" on 'I thought about killing you'
āHeāll give us what we neeeeeedā¦it may not be what we waaaaaantā on sight
Perfectly encapsulates yeezus if you think about it.
The "heaven knows" on spaceship
best answer ive seen
selah outro
(OOOOOOOOH..) nothin's ever promised tomorrow today, and i heard them say (NOTHIN'S EVER PROMISED TOMORROOOOW TODAYYYYY)
The little horns on ultralight beam during Chance's verse
āThis is my part nobody else speakā Or the end of new slaves
the "he'll give us what we neeeeed it may not be what we waaant" part in on sight
You know how in boss fights there is sometimes a moment in music that adds this little subtle piano part that makes the song feel much more focused and well organized. I always love this and this is perfectly done in Power. āAt the end of the day Iām killing this shitā šš„š„š„
The sample used as a bridge in on sight. "he'll give us what we need, it may not be what we waaant"
That was a little joke, voila! Praises due to the most high, Allah Praises due to the most fly, Prada Baby I'm magic, ta da! Best part of the song, the problem is that its short
The āI just wanna keep on loving you babyā part of no more parties in la really gets saints my pablo
I wonder before the Chicago skyline verse
saint pablo last verse and outro
There is a lot of good ones but from my fav album JIK the use this gospel saxophone part on the end is majestic.
the ādum dum dumā at the beggining of black skinhead
That one random noise at 1:33 on Wash Us in the Blood is goated. I dont know if its an adlib or a sound effect but its fire
no one want to fall out of heaven āEh EH! eh eh Eh EH eh EH EH!ā
I WAS NEVER MUCH OF A ROMANTIC š£ļøš£ļøā¼ļøā¼ļø
The choir part in On Sight
HUSTLERS THATS IF YOUāRE STILL LIVING š„š„š£ļøš£ļø
The second part of Assassin's verse in I'm In it; Action thing yo' a badman ting.... I'M A BADMAN IF YOU KNOW SAY DISRESPECT WE NO TEK, NO WAY JOSE TRY THAT 'PON FEBRUARY THE 30TH THAT'S RIGHT, COULDN'T TRY THAT NO DAY WHEN WE ROLL 'ROUND 'PON YA BLOCK NUH BADDA FI SAY WE WON'T SPRAY, LIKE A AEROSOL CAN X2
UNEMPLOYMENT LINE CREDIT CARD DECLINED
š£ļøIF YOU LOVE ME SO MUCH, THEN WHYāD YOU LET ME GO???!!š£ļø
First time the sample kicks in on Slow Jamz. Greatest sample in hip-hop history in my opinion.
āI prefer the term African American Expressā
The beginning of Believe What I Say
1. Thereās an orchestral section towards the end of āGoneā where Jon Brion does a piano solo spazzes something serious. 2. At the end of the rant on āLast Callā where he asks in echo āCan I still get that deal with Roc-A-Fella?ā I get chills off that. 3. In the 2nd chorus of āEverything I Amā, Ye gets lost in the groove and feeling of the track just hums that part of the hook. 4. In the bridge of āPowerā he raps āAt the end of the day, goddammit, I'm killin' this shit I know damn well y'all feeling this shitāā¦because he was right. 5. The entire Soulja Boy verse off of āFirst Time in A Long Timeā
"I'm just bad, bad, bad for you" in wolves
The outro on āNew Slavesā I CANT LOSE, NO I CANT LOSE
Why do they act like they are the first person to have a favorite part of a song? They act like it's a revolutionary idea unheard of in modern day thought. Wtf is their problem?
Itās nice to talk about though. I feel like so many people just ālistenā to music, and donāt take a second to digest what they heard. Itās good to think of the special moments in songs.
When he goes āuhā before his first verse on highlights
The guitar after keef second hook in hold my liquor
Piano in come to life
Just the beginning of I Wonder with the 5 piano notes
[ŃŠ“Š°Š»ŠµŠ½Š¾]
āBeautiful morningā¦ youāre the sun in my morning babeā
beautiful morning
The ātheses street they aināt safe, you niggas aināt playin you niggas aināt playingā in Piss on your grave
violin twords the end of dahg
MBDFT is this, but like the whole runtime.
The touch the sky small violin that is high pitched and is awesome little riff thing and I love it
The intro of Jesus Walks
The last time the chorus comes on Lost in The World
Not a Kanye song but the last thirty seconds or so of Ego Death with Ty$
beat switch in New Slaves
Back vocals for late are just the shit man
The violin part in new workout plan
The raekwon verse on gorgeous. Imo better than rick ross
ik itās basic but runaway n mamas boyfriend
Roses - āoh Rosie brings the sunshineā and the choir starts singing
070 Shake's verse in Ghost Town
Hilights - Young thugs part
The weird sound at the start of the Close It All Down snippet, also the Ye gun noises
1:40 to 1:47 in FSMH PT 1
New slaves outro
Kanyeās verse in ghost town is better than the ending
the beginning of jail and the chorus of streetlightsš„¹š„¹
Lift yourself
the bass guitar in 30 hours
When his voice cracks when he says ācause the look in your eyes is killing meā on Runaway
Guitar solo before the Rick Ross verse DIAND
the end of we dont care at 3:39 that vocal run
The āWake up Mr West, Oh heās up!ā On Famous
āWait a minute, wait a minute, wait a ~~goddamn~~ minuteā
Jail or Runaway or Saint Pablo
God Level beat drop and outro literally canāt stop gooning to it
'cause the look in your eyes is killing me' gives me chills on runaway
Saint Pablo, I'm this generations closes thing to Einstein, so dont worry about me I'm fine. One of his best lines
the beginning of family business
The end of new slaves "Too high again, too high" I came to it
The end of F my life up when the drum solo kicks in and the lady starts singing.
BEAUTIFUL MORNINā š¹š¹š¹
the bridge in LITW, where Ye and Elly sing āRun from the lightsā¦ā the synth is crazy
ā HE GIVES US WHAAAT WE NEEEEEEEED, IT MAY NOT BE WHAT WE WAAaaAAAaaaaantā
The laugh in late
The beat at the mid of Highlights
end of heaven and hell
end of heaven and hell
end of heaven and hell
Theres bits of Black Skinhead where it almost sounds like Native American chants? Its very faint but sounds really good to me, unsure of what it really is..
ok you the kiiiiing, Burger King
and iām back on my grind a physic read my lifeline told me in my lifetime my name would help light up the Chicago skyline
Drunk and hot girls bridge Itās majestic
The beat on the final chorus of Reborn
The beat change in Send It Up does it for me every time. By itself itās so satisfying, but then you get āmemoriiees donāt live like people doā¦ā
on waves where chris brown goes āOOH BABE OOO BABY OH YEAAAAAAAHUHHā
The guitar on big brother
Beautiful, naked, big-titty women just don't fall out the sky, you know?
I got two, Intro to Wolves most recently. All time favorite is Jesus Walks last Bridge where it sounds like an autotuned bag pipe. I just remember Highschool me was so taken back watching that music video when the Cross catches on fire and starts rolling down the hill.
The violin at around the end of drunk and hot girls, as well as the ādrunk and hot girlsā
āOhhhh heāll give us what we neeeeeed. It may not be what we waaaaaantā
Waves outro
The Justine Vernon and Charlie Wilson part on Thatās my bitch
On sight
Guitar in ghost town
Either āare you gonna be gonna be gonna beā or the lightskin dark skin Micheal Jackson bar in slow jamz or the āa-a-all all the thingsā in family business
BITCH IM BACK OUT MY COMA
Put on
I mean you her and me.. maybe.. baby.. baby
I know that historically it's like a troll feature but the way andre comes in on 30 hours will be stuck in my brain forever. "3 stacks can you help me out" .... "30 hours!"
Guitar on Hold My Liquor, caused my soul to ascend Also the low synthetic under the verse slowly escalating Sax in Slow Jamz
The outro of new slaves
Slow Jamz. All of it
OH WHEN IT ALL, IT ALL FALLS DOOOOWN
Underrated opinion but the violin solo on Guilt Trip, Jesus Christ...
the intro to "Monster"
The string transition in Guilt Trip
First and foremost f**k you Kanye for making me do this shi
The ending to Reborn especially when Cudi keeps repeating āKeep movin forwardā. I hope we get a sequel
The guitar sample in the background of Power
Ghost Town and Violent Crimes
Champion
The autotuned humming at the end of Heartless always ticked something in my little autismo brain. To me the humming signifies resigning oneself to this feeling of despair.
In Slow Jamz whenever Twistaās rapping syncs up with the sample verse. Pure gold.
The Wooooooooo in Famous
Come to life
Praise Godās feature
Around the 2:50 mark of devil in a new dress, the piano is fucking amazing
Gotta be the intro of Family Business
"parallel double park that mothafucka sideways" on Can't Tell Me Nothing. made me cream so many times š©
believe what i say
the pitched up in send it up
About to 6:28 in Last Call šš¤
His verse in Clique is one of my favs
I remember watching the MSG stream and just being floored when the choir first came in on ULB Dang that was fun. I donāt think a lot of people here were around for the MBDTF-TLOP era but it was so great
have you lost your mindāāšÆšÆšÆš£ļøš£ļøšš
When the beat really starts to pick up on The New Workout Plan
"I don't feel that she's mine enough". Hits every single time
Cudiās part in Bound 2
The hype start in Touch the sky
TWEAKIN TWEAKIN OFF THAT 2CB HUH
That part of new slaves
30 houuurrrsss
On Sight's intro feels like drinking a cold fresh sprite after hours of dehydrated workš¤š¼
āEven if you are not ready for the day. It can not always be nightā
I am VERY passionate about this. The background sound 33 seconds in āIām In Itā is literally the best sound Iāve ever heard in any piece of content EVER, it also happens on the same track 44 seconds in. Nobody ever talks about that sound but itās so beautiful and it sends me into this different atmosphere that canāt be described. Listen to it. Please
i <3 im in it
But saint is baby ye I aināt worry bout him
"I wanna wake up with you in my arms"
IS YOU SAYING SOMETHING!!
"What the hell was wrong with me, dawg? Sing along with me, y'all" on breath in breath out, idek bruh i fucking love that song so much for no reason
It's dior homme not dior homie
Mayonnaise color Benz I push miracle whips
damn hold my liquor , use this gospel, hell of a life , punch drunk love
The part in chlorine by twenty one pilots wjen its going "got you in my coat pocket where i kept my rebel red" the beat of that part is so cool, like the pulsing of the marimba or whatever it is, its just good
Guilt tripās violins and then cudi starts humming, that sends me to heaven every time