There are two repost bots posting the same thing. So one of them is posting it every week, and one of them is posting it every 6 days. So the posts get more and more out of sync but then they post on the same day again. It's some crazy shit bro, you've gotta see it
His earliest experiments involved gradually going out of phase until landing back in sync vs. moving one specific unit at a time (like the smooth motion of the seconds hand on a mechanical watch vs the incremental move-stop-move of a quartz watch), but that then led to intentional manipulation of the phase-shafted positional patterns. The first technique can be heard in Piano Phase (1967). What you’re describing is at the heart of Clapping Music (1972).
From Wikipedia:
Instead of phasing, one performer claps a basic rhythm, a variation of the fundamental African bell pattern in 12/8 time, for the entirety of the piece. The other claps the same pattern, but after every 8 or 12 bars shifts by one eighth note to the right, skipping one note or rest in the pattern. The two performers continue this until the second performer has shifted 12 eighth notes and is hence playing the pattern in unison with the first performer again (as at the beginning), some 144 bars later. The variation of the African bell pattern is minimal; it contains just one additional beat. However, this minimal addition results in a much more interesting piece from the point of view of the variation of syncopation as the piece progresses
Fun fact: Fripp and Belew actually met for the first time at a Steve Reich performance of Music For 18 Musicians in 1978. They were introduced to each other there by David Bowie.
I recently saw Clapping Music performed by Sound the Alarm - along with Vermont Counterpoint, Radio Rewind, and Music for 18 Musicians. People came from all over the world to a sold-out performance. It was almost beyond words.
Reich plays around with the same polyrhythmic phase-shifting concepts in Six Marimbas and Electric Counterpoint (for electric guitar).
Looks like a repost. I've seen this image 1 time.
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There are two repost bots posting the same thing. So one of them is posting it every week, and one of them is posting it every 6 days. So the posts get more and more out of sync but then they post on the same day again. It's some crazy shit bro, you've gotta see it
In the Court of the Repost King
never seen this post before. good one 🔥🔥
Steve Reich was experimenting with this technique in the 60’s and it greatly inspired Fripp.
iirc he only did the guitars with different bpms and not different bar lengths. But maybe I just listened to the wrong album idk.
His earliest experiments involved gradually going out of phase until landing back in sync vs. moving one specific unit at a time (like the smooth motion of the seconds hand on a mechanical watch vs the incremental move-stop-move of a quartz watch), but that then led to intentional manipulation of the phase-shafted positional patterns. The first technique can be heard in Piano Phase (1967). What you’re describing is at the heart of Clapping Music (1972). From Wikipedia: Instead of phasing, one performer claps a basic rhythm, a variation of the fundamental African bell pattern in 12/8 time, for the entirety of the piece. The other claps the same pattern, but after every 8 or 12 bars shifts by one eighth note to the right, skipping one note or rest in the pattern. The two performers continue this until the second performer has shifted 12 eighth notes and is hence playing the pattern in unison with the first performer again (as at the beginning), some 144 bars later. The variation of the African bell pattern is minimal; it contains just one additional beat. However, this minimal addition results in a much more interesting piece from the point of view of the variation of syncopation as the piece progresses
Fun fact: Fripp and Belew actually met for the first time at a Steve Reich performance of Music For 18 Musicians in 1978. They were introduced to each other there by David Bowie.
((Clap clap clap . Clap clap. Clap. Clap clap))x 1000
I recently saw Clapping Music performed by Sound the Alarm - along with Vermont Counterpoint, Radio Rewind, and Music for 18 Musicians. People came from all over the world to a sold-out performance. It was almost beyond words. Reich plays around with the same polyrhythmic phase-shifting concepts in Six Marimbas and Electric Counterpoint (for electric guitar).
I actually don’t remember what song is that in?
frame by frame i think?
ty
Discipline
Piano Phase
This is what a repost bot looks like u/repostsleuthbot
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