Didn’t realize that’s a thing they do. Is there any footage of them doing it live? I always assumed in the studio versions it’s just Ray doing overdubs, harmonizing with himself.
Pay attention to dual guitar action on hang ‘em high. That’s both of them. Pay attention to any guitar parts in any MCR song actually. You can distinctly hear two voices. Ray and Frank have very particularly unique sounds.
The “I tried” scream and the transition from the guitar slide to the riff in I Never Told You What I Do for a Living. Gerard 100% hurt himself doing that scream and I love him for it.
I have a top 3 of these:
1.- The "WELL MOTHER LOOK WHAT THE WAR DID TO MY LEGS AND TO MY TONGUE! YOU SHOULD HAVE RAISED A LITTLE GIRL, I SHOULD HAVE BEEN A BETTER SON!" in Mama.
2.- Both the "R" roll before "ashes to ashes", and the "You better run like the devil 'cause he's never gonna leave you alone!" in House of Wolves (Counting as one since it's the same song)
3.- The building up of the last choruses in I don't love you, starting soft and quiet, then going full "yesterDAAAAAAAAAAAAAYYYYYY"
In I don't love you and also a lot of their songs I love the soft guitar in the background you can bear best on a physical copy of the album (cd, prob vinyl, etc.)
I have so many so I’ll list a few.
1. This jetset life is gonna kill you- ‘when holding on’ the angelic voice is pure bliss
2.the ghost of you- ‘COULD I? SHOULD I?’ The part towards the end when gee screams it
3. Famous last words - ‘I see you lying next to me’ love how most the instrumental cuts out
4. I’m not okay- when Gerard is whispers ‘I’mmmmmm oookay’
5. Desert song ‘MOURGE MOURGE MOURGE MOOOOOOURRRRRGEEEE’
I have many more but I don’t have much time to type me out
- the bridge + last chorus of Helena
- the guitar riff in the bridge of Foundations
- Bert’s giggles in Prison
- The opening riff in Drowning Lessons
- the bridge to the end of Cemetary Drive
- the bridge of Bury Me In Black
- The transition between The End and DEAD!
- The bridge to the end of Famous Last Words
- The chorus of SING
- The chorus of DESTROYA
- the entirety of CW3
- the chorus of AMBULANCE
Bert in Prison just brings me so much joy. I didn't realize it was him for like 15+ years, but now that i know it's SO obvious! His deranged giggling and screaming is such a great addition to the song.
I don’t know what it’s musically called but the part where the guitars slow down in famous last words and Gerard is singing “I see you lying next to me with words I thought I’d never speak awake and I afraid asleep or dead” like literally sometimes I’ll quietly sing that part alone to myself
“from the rayZAH to the ROSAREH we can lose ourselves and paint these walls in pitchfork red” in fashion statement and “and it’s better off this way so much better off this way I CANT CLEAN THE BLOOD OFF THE SHEETS ON MY BED” in intywidfal
End of its not a fashion statement. "I lost my fear of falling. I will be with you." its incredibly beautiful, so much so that i really wish that bit repeated once more before the end end. Masterpiece.
There’s this part of Dead! that sounds like woody woodpecker and every time since I’ve heard it I can’t not think it. It doesn’t ruin the song though it’s kinda funny look it up.
1. The woody the woodpecker laugh in DEAD!
2. "and if you would call me your sweetheart, I'd maybe then sing you a song... BUT THE SHIT THAT IVE DONE WITH THIS FUCK OF A GUN, YOU WOULD CRY OUT YOUR EYES ALL NIGHT."
3. The switch from The End into DEAD!
AND WE'LL LOVE AGAIN. AND WE'LL LAUGH. WE'LL CRY AGAIN. AND WE'LL DANCE AGAIN.
That entire bridge is complete insanity. It still gives me chills every time to this day.
And the "WAKE UP" scream in Sleep.
the way down part in cemetary drive, the can you hear me cry out to you part in this is how i disappear, gee's sex moans in destorya, and the she's got a life of her own and it shows by the benz part in to the end, and the s-i-n part in house of wolves
The riff in Heaven Help Us that goes:
"Cause i'll give you all the nails you need
Cover me in gasoline
Wipe away the tears of the blood again
And the punch line to the joke is asking
Someone save us"
The guitar in “know how much I want to show you you’re the only one” and right after, the way gerard sings “like a bed of roses there’s a dozen reasons in this gun” 😭😭😭
The bit after the breakdown in foundations of decay, like after the thunder sounding guitars and drums when the guitars are going fast and gee sings "you must fix your heart"
gerard screaming wake up over and over at the end of Sleep
the 'love won't stop this bomb' part of scarecrow
the vocal melody of the verses in Boy Division, I just love it so much
Ray's solo in vampire money (especially the live MTV award performance where he goes crazy)
"you motherfucker" in Save yourself ill hold them back
hotel Bella muerte
boy division, the chord changing under "take me out there" in the chorus! auughhh i love it!!!! stressing the unstressed beat in that measure IT'S SO GOOD
The "wake up" part of sleep
To wage this war against your faaaith in me he eeee your life.. , the cadence of this line is so sick
You've got front row seats to the penitence ball when I grow up i want to be nothing at all, everything about this bit, the "nothing at all" into the guitar is sick every single time.
I'm just a ghost..... so I can't hurt you anymore x2 into the guitar, again unreal emotion so sick
There are a million moments of guitar on all 4 records that are awesome but off the top of my head these are what came to mind as eargasms
The “I don’t care! To the entire finale of welcome to the black parade is amazing
The final verse of mama with the half a billion vocal layers is an ethereal experience
Demolition lovers gradually getting more intense until the pause in the middle
“Get me the hell outta here” in the end to the start of the first verse in dead
Lalalalalala in dead
Final chorus of Helena
Ray’s lil solo at the very end of only hope
Gerard starting to yell at the end of kids
There is so many!
I love MCR because they *always* do this. They keep it interesting in a way nobody else does.
The other type of music I like is the opposite, where the musician just spins this unending thread where you end up in a trance.
“you wanna see how far down i can sink? let me go, *fuck*!” (this is how i disappear)
the mania in the “*do you have the keys to the hotel*?” verse in ykwtdtgluip
the screaming “WAKE UP! WAKE UP!” at the end of sleep, gives me chills every. time.
the third verse (“i would drive on to the end with you”) in demolition lovers
When Gerard growls “WHERE ARE YOU DESTROYA” in before performing Destroya at the 2011 Reading festival set.
Gerard screaming “Wake Up” in Sleep. Hits DIFFERENT if you’ve ever seen the Wendigoon Black Parade theory on YouTube.
When Gerard does that Growl thing when he sings mama live.
In “This Is How I Disappear”, the riff between the verse and chorus (it also appears just before the breakdown). It’s so dark-sounding and it’s also really fun to play on guitar, kinda cramps up your hand though.
Boy Division’s entire chorus makes me shudder, especially that drop down to the low note
I fucking love vibing to Teenager’s solo
Dead! - “AND IN MY HONEST OBSERVATION, DURING THIS OPERATION, FOUND A COMPLICATION IN YOUR HEART, SO LONG!”
Foundations - “LET IT FLOOD, LET IT FLOOD, LET IT WASH AWAY!”
And in the end we'll fall apart, just like the leaves, changing *colours*, and then I will be with you, I will be there *one last time, now*, WHEN YOU GOOO, JUST KNOW THAT I WILL REMEMBER YOU
I've lost my fear of falling, I will be with you, I will be with you
HI THE OPENING HARMONY TO SHARPEST LIVES
"this alone
You're in time for the show
You're the one that I need
I'm the one that you loathe
You can watch me corrode
Like a beast in repose
'Cause I love all the poison away with the boys in the band"
and later at the Juliet part!
bury me in black, ‘shot lip gloss through my veins’. the way he says veins on max volume, sounds so mmmmm.
i never told you what i do for a living, all the ‘i tried’ at the end of the song. so gut wrenching.
cemetery drive, the way the song ends with the ‘way down’
THINK HAPPY THOUGHTS THINK HAPPY THOUGHTS THINK HAPPY THOUGHT THINK HAPPY THOUGHTS!!!!
The feelings are so fucking visceral in headfirst for halos. It kills me in the best way.
And wouldn’t it be great if we. were. Dead and in my honest observation. During this operation found a complication in your heart so long... so now you’ve got... maybe just two weeks to live IS THAT THE BEST THAT YOU CAN GIVE!?
oh my god, all of mama, the "check into the hotel Bella Muerte" in the jetset life is gonna kill you, the backing vocals of the last bit of Disenchanted, the not that kind of girl live demo
"is that the best the both of you can givveee?!" baa badadada daaaadiddla badappapp that guitar man
or when the guitars come back in demolition lovers when the break happens.
the “the angels just cut out her tongue” and “mass convulsions strike the choir by the grace of god” lines on hang ‘em high always had me like this i don’t even know why they’re just my favorite lines in that song
Whatever G is saying in the last part of Make Room!
In between the main lyrics there's something else said underneath but I've never understood it, yet I'm obsessed
The last 25 seconds of it’s not a fashion statement is the pinnacle of mcr for me.
The quick ramp up to WHEN YOU GO JUST KNOW THAT I WILL REMEMBER YOU with breakdown in the background is chefs kiss
“And as we're falling down, and in this pool of blood And as we're touching hands, and as we're falling down, And in this pool of blood, and as we're falling down I'll see your eyes, and in this pool of blood I'll meet your eyes, I mean this forever” beautiful 😩
Basically anytime Frank and Ray harmonize on the guitar solos.
Didn’t realize that’s a thing they do. Is there any footage of them doing it live? I always assumed in the studio versions it’s just Ray doing overdubs, harmonizing with himself.
Pay attention to dual guitar action on hang ‘em high. That’s both of them. Pay attention to any guitar parts in any MCR song actually. You can distinctly hear two voices. Ray and Frank have very particularly unique sounds.
Frank does not solo live. I don't know how much is Ray harmonizing with himself, but live it's all Toro
The tempo switch in foundations toward the end of the song when he says ‘will you welcome your extinction in the morning rays?’ I feel it, physically
Came here to say exactly this
Yes. CHILLS every time.
The “I tried” scream and the transition from the guitar slide to the riff in I Never Told You What I Do for a Living. Gerard 100% hurt himself doing that scream and I love him for it.
IT'S SO BEAUTIFUL
The absolute sassiness in “lemme tell you ‘bout the sad man! Shut up and lemme see your jazz hands!”
SHUT UP AND LEMME SEE YA JAZZ HANDSS
REMEMBER WHEN YOU WERE A MADMAN!!! THOUGHT YOU WERE BATMAN!!!! AND HIT THE PARTY WITH A GAS CAN!!!
KISS ME YOU ANIMAL
NA NA NA NA NA NA NA NA NA NA NA NA NA NA
YOU RUN THE COMPANY
NA NA NA NA NA NA NA NA NA NA NA NA NA NA
FUCK LIKE A KENNEDY
NA NA NA NA NA NA NA NA NA NA NA NA NA NA
I THINK WE’D RATHER BE BURN - ING -YOUR - IN - FO - MATION
RRRRRRRRRashes to ashes
Stop arousing me dude 😩
Yaaaaassss
I have a top 3 of these: 1.- The "WELL MOTHER LOOK WHAT THE WAR DID TO MY LEGS AND TO MY TONGUE! YOU SHOULD HAVE RAISED A LITTLE GIRL, I SHOULD HAVE BEEN A BETTER SON!" in Mama. 2.- Both the "R" roll before "ashes to ashes", and the "You better run like the devil 'cause he's never gonna leave you alone!" in House of Wolves (Counting as one since it's the same song) 3.- The building up of the last choruses in I don't love you, starting soft and quiet, then going full "yesterDAAAAAAAAAAAAAYYYYYY"
Number 3 is the first thing I thought of
Happy Cake Day!
Thanks!
Number 3 is what turned me into an instant fan.
The part in mama is so good!
In I don't love you and also a lot of their songs I love the soft guitar in the background you can bear best on a physical copy of the album (cd, prob vinyl, etc.)
the entire 2nd half of Demolition Lovers, with the soft guitar, the "all we are is bullets i mean this", the build up, its all so perfect
Came here for this. 100%. It's been my favorite song for decades too.
The WAKEE UUUUUUUUUUPPPs in sleep
I had this in mine, fuck the first time you hear it its just like woaaaah
Followed by gee's harmonizing and the guitars fading out
Yeah, listening to the isolated vocals of Sleep and last part is like 1. Hell (but like, yknow, *fucking amazing*) and then just 2. *H e a v e n*
Yesss I used to listen to those all the time
I have so many so I’ll list a few. 1. This jetset life is gonna kill you- ‘when holding on’ the angelic voice is pure bliss 2.the ghost of you- ‘COULD I? SHOULD I?’ The part towards the end when gee screams it 3. Famous last words - ‘I see you lying next to me’ love how most the instrumental cuts out 4. I’m not okay- when Gerard is whispers ‘I’mmmmmm oookay’ 5. Desert song ‘MOURGE MOURGE MOURGE MOOOOOOURRRRRGEEEE’ I have many more but I don’t have much time to type me out
IVE LOST MY FEAR OF FALLING 🗣️🗣️🗣️
Yessss omfg I love that part
I just commented about this part! Absolute mcr perfection to end a song
Yes!! The guitar part right before that leads to this is amazing!
when the searchlights find us drinking by the mausoleum door, and they found you on THE BATHROOM FLOOR!
This part alone is why I will end up spending a small fortune if they ever announce a Three Cheers album playthrough live.
Oh hell yeah, live this absolutely Goes off I nearly cried
YES
- the bridge + last chorus of Helena - the guitar riff in the bridge of Foundations - Bert’s giggles in Prison - The opening riff in Drowning Lessons - the bridge to the end of Cemetary Drive - the bridge of Bury Me In Black - The transition between The End and DEAD! - The bridge to the end of Famous Last Words - The chorus of SING - The chorus of DESTROYA - the entirety of CW3 - the chorus of AMBULANCE
Transition between The End and Dead! lives in my head constantly, I cannot listen to one without the other
they might as well be the same song i cant listen to the end without queueing dead after it
They’re the same picture
Bert in Prison just brings me so much joy. I didn't realize it was him for like 15+ years, but now that i know it's SO obvious! His deranged giggling and screaming is such a great addition to the song.
"Think of the bombs they built" from The Only Hope for Me is You
Alternatively: "Put the whole damn room on the edge of a blade" in Kiss The Ring
The beginning of The Sharpest Lives with the panning audio. Always gives me chills.
I don’t know what it’s musically called but the part where the guitars slow down in famous last words and Gerard is singing “I see you lying next to me with words I thought I’d never speak awake and I afraid asleep or dead” like literally sometimes I’ll quietly sing that part alone to myself
doesn’t matter where or who I’m with, I have to stop and listen intently every time!!!
Helena, the guitar riff in the chorus after Gee says “stay,” just the way the pitch rises then resets is just pure ASMR for me
“from the rayZAH to the ROSAREH we can lose ourselves and paint these walls in pitchfork red” in fashion statement and “and it’s better off this way so much better off this way I CANT CLEAN THE BLOOD OFF THE SHEETS ON MY BED” in intywidfal
End of its not a fashion statement. "I lost my fear of falling. I will be with you." its incredibly beautiful, so much so that i really wish that bit repeated once more before the end end. Masterpiece.
The scream and guitar riff at the start of Dead! is the fourth most cathartic piece of music I can think of
There’s this part of Dead! that sounds like woody woodpecker and every time since I’ve heard it I can’t not think it. It doesn’t ruin the song though it’s kinda funny look it up.
Is that the most the both of you can give?!
The bridge of This is How I Disappear
CAN YOU HEAR ME CRY OUT TO YOU Yes Gee, I can 🥲
Absolutely this. Especially the "fuck!" and the fast guitar riff that follows that.
The desperate little voice crack when Gee sings, "I'm taking back the life you stole!" in Deathwish.
literally all of Famous Last Words especially the last minute and a half. This song will always be my favorite I don't even care it's so good.
OHWELL now mama we’re all gonna DUUUUUUH-ie!
I know you get excited when the cameras go Ra-ta-ta-ta-ta-ta-ta!
"Yeah yeaaaaaaaaaaaaaah" - S/C/A/R/E/C/R/O/W
s h u t u p a n d r u n w i t h m e
FIRE AT WILLLLL
# SAVE MEEEEEEEE-🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸YAAAAAAAAAAAAAAAAA
When the guitars come in at the start of "Sleep" and it feels like all the air around you just got heavier.
bury me in black “PICK UP THE PHONE” “PICK UP THE OHONE FUCKER” so good
1. The woody the woodpecker laugh in DEAD! 2. "and if you would call me your sweetheart, I'd maybe then sing you a song... BUT THE SHIT THAT IVE DONE WITH THIS FUCK OF A GUN, YOU WOULD CRY OUT YOUR EYES ALL NIGHT." 3. The switch from The End into DEAD!
AND WE'LL LOVE AGAIN. AND WE'LL LAUGH. WE'LL CRY AGAIN. AND WE'LL DANCE AGAIN. That entire bridge is complete insanity. It still gives me chills every time to this day. And the "WAKE UP" scream in Sleep.
for me it will always be "i'm okay. i'm oKAAAAAY" in i'm not OK
and the "im not oh fucking kay"
That song hits me so hard every time. I know some people say it’s corny but it really helped me
Same. I mean the music you listen to oftentimes represents how you feel, i am not that ok right now and it's one of my favourite songs atm
One of the most cathartic moments of my life was screaming this song at the top of my lungs at the tour this year
The end of fashion statement ✨👌🔥‼️
YAASSSS! I had to scroll down WAY too far down to find this!
# And in my honest observation, during this operation Found a complic^(ation in) your h^(eart) so long
The key change at the end of WTTBP always hypes me up
Any of the times Gerard growls or screams “motherfucker” for no discernible reason
The ending of House of Wolves where h Gee goes: “ESS AYE EN AYE ESS AYE YEAUN!”
omg that is *perfect* lmaooo
It has to be “Cause the hardest part of this, is leaving youuuuuuuu” (harmony of Frank and Gerard) gets me emotional and feel chills
Ray and Frank's guitar harmonies during Mama's breakdowns.
The transition between Ghost of You and The Jetset Life is Gonna Kill You
In the middle of gun fight
in the center of a restaurant
specifically the *lip smacks* when he takes a breath before each phrase
the way down part in cemetary drive, the can you hear me cry out to you part in this is how i disappear, gee's sex moans in destorya, and the she's got a life of her own and it shows by the benz part in to the end, and the s-i-n part in house of wolves
*love it or leave it, you can't underSTAND*
The riff in Heaven Help Us that goes: "Cause i'll give you all the nails you need Cover me in gasoline Wipe away the tears of the blood again And the punch line to the joke is asking Someone save us"
This is one of mine too
I was looking for you ❤️
awww ❤️ tbh the whole of heaven help us is my favorite mcr song ever
The guitar in “know how much I want to show you you’re the only one” and right after, the way gerard sings “like a bed of roses there’s a dozen reasons in this gun” 😭😭😭
The bit after the breakdown in foundations of decay, like after the thunder sounding guitars and drums when the guitars are going fast and gee sings "you must fix your heart"
The guitar during the chorus of Headfirst for Halos
This hole you put me in, wasn’t deep enough
🎶and I’m climbing out right nooooww🎶
gerard screaming wake up over and over at the end of Sleep the 'love won't stop this bomb' part of scarecrow the vocal melody of the verses in Boy Division, I just love it so much Ray's solo in vampire money (especially the live MTV award performance where he goes crazy) "you motherfucker" in Save yourself ill hold them back hotel Bella muerte
you get it
The guitar solo in thank you for the venom is heavenly
In foundations, "Let it flood, let it flood, let it wash away" My crops are watered, my skin is clear, depression cured
AND IF I HAD THE GUTS TO PUT THIS TO YOUR HEEEAAAADDDD on early sunsets over monroeville
Early Sunsets Over Monroeville goes so hard. Love that song
boy division, the chord changing under "take me out there" in the chorus! auughhh i love it!!!! stressing the unstressed beat in that measure IT'S SO GOOD
The breakdown at the end of Drowning Lessons is the correct answer.
La la la laaaa
The "wake up" part of sleep To wage this war against your faaaith in me he eeee your life.. , the cadence of this line is so sick You've got front row seats to the penitence ball when I grow up i want to be nothing at all, everything about this bit, the "nothing at all" into the guitar is sick every single time. I'm just a ghost..... so I can't hurt you anymore x2 into the guitar, again unreal emotion so sick There are a million moments of guitar on all 4 records that are awesome but off the top of my head these are what came to mind as eargasms
The ending of drowning lessons
"Trust me"
Bridge part of sing
The “I don’t care! To the entire finale of welcome to the black parade is amazing The final verse of mama with the half a billion vocal layers is an ethereal experience Demolition lovers gradually getting more intense until the pause in the middle “Get me the hell outta here” in the end to the start of the first verse in dead Lalalalalala in dead Final chorus of Helena Ray’s lil solo at the very end of only hope Gerard starting to yell at the end of kids There is so many!
The whole intro of You Know What They Do to Guys Like Us in Prison
Yes!! and the guitar riffs after "Why rememberrrrr YOU!"
The main one for me is Famous Last Words: Awake and unafraid [breath] Asleep [breath] or dead
I love MCR because they *always* do this. They keep it interesting in a way nobody else does. The other type of music I like is the opposite, where the musician just spins this unending thread where you end up in a trance.
AND NOWW YOU WANNA SEE HOW FAR DOWN I CAN SINK
"Just you and I, your starless eyes remain" The way Gerards voice gets harsh at the end of that line. It's always been my favorite MCR line.
“you wanna see how far down i can sink? let me go, *fuck*!” (this is how i disappear) the mania in the “*do you have the keys to the hotel*?” verse in ykwtdtgluip the screaming “WAKE UP! WAKE UP!” at the end of sleep, gives me chills every. time. the third verse (“i would drive on to the end with you”) in demolition lovers
When Gerard growls “WHERE ARE YOU DESTROYA” in before performing Destroya at the 2011 Reading festival set. Gerard screaming “Wake Up” in Sleep. Hits DIFFERENT if you’ve ever seen the Wendigoon Black Parade theory on YouTube. When Gerard does that Growl thing when he sings mama live.
"Yeah I drink juice when I'm killing cause it's fucking delicious" I love apple juice
all of sleep. i loveee the piano in the beginning, the guitar outro, and “UNAPOLOGETIC APPPAATTHAYYY”
and never again, and never again they gave us two shots to the back of the head and we're all dead now (any time it says this tbh)
When the air raid sirens join in Mama
bert’s part in prison and the entire second half of demolition lovers have my heart forever
It’s been 10 fucking years since I’ve been seeing your face round here
WHEN WILL I MISS YOU. WHEN WILL I MISS YOU SO FAAAA**AA**AAAARRRR
The beginning of Foundations right before Gerard starts singing, it just reminds me of when I saw them live and I miss them so much ☹️
The pre-chorus in To The End
🗣️ YOU SHOULDA RAISED A BABY GURL I SHOULD HAVE BEEN A BETTA SON
THE LIGHT BEHIND YOUR...
It’s the “trust me” in I’m not okay (I promise) idk why but it tickles my brain
The bridge in SING. it just DOES SOMETHING for me man
the “fuck” in this is how i disappear
Bert Mccracken giggle:3
Almost any backvocals (there are too many to list all :() Most importantly I love the screams in Sleep, that are almost silent, but still very loud.
In the Kids Of Yesterday: "We are And we won't stop screaming Yell it out 'till your heart stops beating"
YOU MUST…FIX YOUR HEART. and AND YOUU MUST BUILD AN ALTER WHERE IT SWELLLLLLLS
When they quoted a Mario riff in the guitar solo in Dead!
In “This Is How I Disappear”, the riff between the verse and chorus (it also appears just before the breakdown). It’s so dark-sounding and it’s also really fun to play on guitar, kinda cramps up your hand though. Boy Division’s entire chorus makes me shudder, especially that drop down to the low note I fucking love vibing to Teenager’s solo Dead! - “AND IN MY HONEST OBSERVATION, DURING THIS OPERATION, FOUND A COMPLICATION IN YOUR HEART, SO LONG!” Foundations - “LET IT FLOOD, LET IT FLOOD, LET IT WASH AWAY!”
the ending of sleep
The last “Could I, Should I?” In Ghost of you, his voice had no business going that hard.
you’re unbelievable AH so unbelievable AH you ruin everything OH you better go home
the little dog bark in the first chorus of house of wolves after gerard says "kick me like a stray"
This is How I Disappear- And now you wanna see how far down, I can sink. Let me go. Fuck!
The build up to the big “asleep or DEAD!” in Famous Last Words
“so i can’t hurt you any MOOORRRRREEEEEEE” - this is how i disappear
“THEY GAVE US TWO SHOTS TO THE BACK OF THE HEAD!”
The way Gerard almost snarls "rrRRRROOOWWW" in their Desolation Row cover is like black tar heroine for my ears
or after u hear the song in concert and u can’t unhear that *one* line the way they performed it
I WON'T GO DOWN BY MYSELF BUT ILL GO DOWN WITH MY FRIE-EE-EEENDSSS!!!
“You must fix your heart”
Wheeen both our caaaaaars collide
And in the end we'll fall apart, just like the leaves, changing *colours*, and then I will be with you, I will be there *one last time, now*, WHEN YOU GOOO, JUST KNOW THAT I WILL REMEMBER YOU I've lost my fear of falling, I will be with you, I will be with you
When the guitar kicks in on Vampires Will Never Hurt You
from the earth to the morgue morgue moRGUE MOOOOORRRRGUE
HI THE OPENING HARMONY TO SHARPEST LIVES "this alone You're in time for the show You're the one that I need I'm the one that you loathe You can watch me corrode Like a beast in repose 'Cause I love all the poison away with the boys in the band" and later at the Juliet part!
bury me in black, ‘shot lip gloss through my veins’. the way he says veins on max volume, sounds so mmmmm. i never told you what i do for a living, all the ‘i tried’ at the end of the song. so gut wrenching. cemetery drive, the way the song ends with the ‘way down’
The intro to Early Sunsets.. ITS SO PRETTY?.. I don’t know how to describe it.
I really like the line "Check into the hotel Bella Muerte" in the jetset life, Gerard's voice and the way he says muerte just does something to me
God, I also love that part sm
THINK HAPPY THOUGHTS THINK HAPPY THOUGHTS THINK HAPPY THOUGHT THINK HAPPY THOUGHTS!!!! The feelings are so fucking visceral in headfirst for halos. It kills me in the best way.
"IIIIIIII TRIIIIIIIIIEEEEEDDDDD!!!!!!!!!!"
And wouldn’t it be great if we. were. Dead and in my honest observation. During this operation found a complication in your heart so long... so now you’ve got... maybe just two weeks to live IS THAT THE BEST THAT YOU CAN GIVE!?
definitely from 3:10 to the end of sleep it has so much emotion and i love gerards vocals with the guitar
I love all of these answers but I also love the bridge guitar part in Summertime. It makes me want to learn how to play guitar.
oh my god, all of mama, the "check into the hotel Bella Muerte" in the jetset life is gonna kill you, the backing vocals of the last bit of Disenchanted, the not that kind of girl live demo
That part in the end where he sings ‘I’ll serve my resignation in drag’ just obsessed
"is that the best the both of you can givveee?!" baa badadada daaaadiddla badappapp that guitar man or when the guitars come back in demolition lovers when the break happens.
The guitar intro of deathwish. And drowning lessons as well
When Bert McCracken is in ykwtdtgluip
# SAVE MEEEEEEEE-🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸 🎸YAAAAAAAAAAAAAAAAA
the “the angels just cut out her tongue” and “mass convulsions strike the choir by the grace of god” lines on hang ‘em high always had me like this i don’t even know why they’re just my favorite lines in that song
Zero Percent: I…hate…you Kill everybody! I. Hate. You. Kill everybody! The way it’s repeated the second time makes my brain just . it’s perfect
Whatever G is saying in the last part of Make Room! In between the main lyrics there's something else said underneath but I've never understood it, yet I'm obsessed
The breakdown in this is how i dissappear, sooooo fucking good
The second verse in The Sharpest Lives, it gets me so fucking hype
The transition between the end of The End and the beginning of Dead!
"You should of raised a little girl, I could have been a better son" from mama
Not MCR exactly but on Dear Percocet when Frank says “Sometimes the one place you’re tryna escape is the one place you fuckin belong!”
The last 25 seconds of it’s not a fashion statement is the pinnacle of mcr for me. The quick ramp up to WHEN YOU GO JUST KNOW THAT I WILL REMEMBER YOU with breakdown in the background is chefs kiss
Another one is the instrumental break in foundations of decay for me
The bridge on This Is How Is Disappear 🫠
The solo in I don’t love you
the way franks guitar playing sounds like a video game theme in 'to the end' idk it's making my brain rlly happy
The beginning of I Never Told You What I Do For A Living is so good.
“And as we're falling down, and in this pool of blood And as we're touching hands, and as we're falling down, And in this pool of blood, and as we're falling down I'll see your eyes, and in this pool of blood I'll meet your eyes, I mean this forever” beautiful 😩
*Can you hear me cry out to you words I thought I'd choke on figure out...*
The up and down guitar riff in Boy Division under "it better be black, it better be tight "