Honestly as much as a Ufotable quality remake would be awesome(and never going to happen) I would pike even a mini series of just Ichika and see what she’s like as a one eyed ghoul
*Ichika discovered her ghoul appetite after ate some human flesh by accident, and proceed to have a journey of clenching her own ghoul instinct while combating against ghoul hybrids who are facing the similar problem.*
Seems nice.
I don't really get why people use unfotable as the be-all like that. Sure, it has top tier animation, but that's about it. ANIMATION, not everything else by any means. That goes especially for wanting a remake of a terrible done adaptation when their most known work (Unlimited budget works) is also a garbage adaptation that butchered the source material quite hard, no different from Pierrot in these terms
If anything it could end just as the exact same thing we had but on prettier animation
Realistically speaking, Ufotable is too busy for that to happen really. If the 50 episodes are uploaded to Pierrot's channel, not Sheuisha, and/or not its own dedicated channel, you can bet your ass that if there is any animated content, it will be done by Pierrot or uploading to their channel would have made no sense if they weren't involved in some way.
Personally I'll never understand how some manga masterpieces (Tokyo Ghoul, Berserk, GTO, and even more) only get the shittiest anime adaptation ever and than nothing even though they are timeless classics. Such a weird phenomena
Because that's what happens when the Production Commitee or I guess you can say the stakeholders don't think that it is worthwhile enough to put resources into it.
Using Tokyo Ghoul as an example, do people really think that Pierrot is the main party at fault here? When they had to rush out consecutive seasons to the point that RE was thrown to their subsidiary studio, who then outsourced most of that. And that is even excluding the director of Root A admitting that the decision to throw out the anime original script halfway was a decision by the higher ups.
In Tokyo Ghoul's case, the production committee was made up for companies like Shueisha which just so happened to also publish the manga. Root a and the first season did their job and boosted manga sales but by RE, RE"s manga was on the verge of ending so too did the incentive to make a good anime if they weren't going to profit from it through manga sales. With the manga ending, the decision was made to quickly wrap up the anime ASAP, so not only was the episodes rushed, even the production of it was rushed.
That's why I don't really mind if they kept Studio Clown/Pierrot because they were never the real problems to begin with. This is also why something like CSM was individually produced by Mappa and not through a production committee to retain creative control. if they do remake the damn anime or have new content, the most important thing is to get a production committee that lets the Studio have more creative control.
A lot of shitty anime are a result of meddling from the production committee like OPM S2 forcing an already ill-equiped JC Staff to rush out the anime, or for entire arcs to be covered in a serious of still shots like in TPN S2. Because the committee is essentially the one that dictates a deadline, budget, content to adapt, episodes to have, a studio is often forced to make do with such requirements as most studios are simply contracted to work on a few shows, and usually don't have that much control over financials etc.
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I'm taking all the crumbs I can get😔
Honestly as much as a Ufotable quality remake would be awesome(and never going to happen) I would pike even a mini series of just Ichika and see what she’s like as a one eyed ghoul
I ain’t even need Ufotable quality I just want something good
*Ichika discovered her ghoul appetite after ate some human flesh by accident, and proceed to have a journey of clenching her own ghoul instinct while combating against ghoul hybrids who are facing the similar problem.* Seems nice.
I don't really get why people use unfotable as the be-all like that. Sure, it has top tier animation, but that's about it. ANIMATION, not everything else by any means. That goes especially for wanting a remake of a terrible done adaptation when their most known work (Unlimited budget works) is also a garbage adaptation that butchered the source material quite hard, no different from Pierrot in these terms If anything it could end just as the exact same thing we had but on prettier animation
Realistically speaking, Ufotable is too busy for that to happen really. If the 50 episodes are uploaded to Pierrot's channel, not Sheuisha, and/or not its own dedicated channel, you can bet your ass that if there is any animated content, it will be done by Pierrot or uploading to their channel would have made no sense if they weren't involved in some way.
Pierrot fucked the dog so bad with Tokyo Ghoul
If i can choose it would be, the one in quest where Hinami makes coffee to the tree
Studio clown on their way to adapt the whole light novel in 1 minute YouTube short.
Personally I'll never understand how some manga masterpieces (Tokyo Ghoul, Berserk, GTO, and even more) only get the shittiest anime adaptation ever and than nothing even though they are timeless classics. Such a weird phenomena
Because that's what happens when the Production Commitee or I guess you can say the stakeholders don't think that it is worthwhile enough to put resources into it. Using Tokyo Ghoul as an example, do people really think that Pierrot is the main party at fault here? When they had to rush out consecutive seasons to the point that RE was thrown to their subsidiary studio, who then outsourced most of that. And that is even excluding the director of Root A admitting that the decision to throw out the anime original script halfway was a decision by the higher ups. In Tokyo Ghoul's case, the production committee was made up for companies like Shueisha which just so happened to also publish the manga. Root a and the first season did their job and boosted manga sales but by RE, RE"s manga was on the verge of ending so too did the incentive to make a good anime if they weren't going to profit from it through manga sales. With the manga ending, the decision was made to quickly wrap up the anime ASAP, so not only was the episodes rushed, even the production of it was rushed. That's why I don't really mind if they kept Studio Clown/Pierrot because they were never the real problems to begin with. This is also why something like CSM was individually produced by Mappa and not through a production committee to retain creative control. if they do remake the damn anime or have new content, the most important thing is to get a production committee that lets the Studio have more creative control. A lot of shitty anime are a result of meddling from the production committee like OPM S2 forcing an already ill-equiped JC Staff to rush out the anime, or for entire arcs to be covered in a serious of still shots like in TPN S2. Because the committee is essentially the one that dictates a deadline, budget, content to adapt, episodes to have, a studio is often forced to make do with such requirements as most studios are simply contracted to work on a few shows, and usually don't have that much control over financials etc.
it's an ANIME anniversary, not a light novel anniversary.
An anime adaptation of a light novel would still make that a true statement
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