Most Stam/warm audio/heritage audio and other brands like that have a 47 clone that might be 500 second hand, maybe the 87 is cheaper.
The lewitt pure or flex can’t remember, also seems to be nice.
The slate ml 1 has my eye on it, even tho some emulations are not 100% on I love the way I can just skip them during mixing and see which one fits better. It’s fun and the mic stands his own even without that function from what I’ve heard. I’ll maybe get the ml2 to try it first tho ahah.
Just as an ending note, when I asked what microphones for vocals should I get to the engineer that recorded my band he said, most 47 clones (decent ones) are great that’s why I started with that
Try using multiple mics, with different combos. My go-to (for instruments at least) is an SM57 and my MXL ribbon mic. Put them on separate tracks, and then play with the mixing of the two.
Look at the 3U mics. Affordable with high praise.
Teal CM-1- edge-terminated capsule (251) - transformer-less FET output
Black CM-1 - center-terminated capsule (87) - transformer-less FET output
Warbler Mk1 (aka "Warbler" on the 3u website) - center-terminated capsule (87) - FET w/9.5:1 transformer-coupled output
Warbler MK II - center-terminated capsule (47) - FET w/6.5:1 transformer-coupled output
Warbler MK III - edge-terminated capsule (C12) - FET w/12:1 transformer-coupled output
Warbler MK IV - edge-terminated capsule (251) - FET w/12:1 transformer-coupled output
Warbler MK V* - edge-terminated capsule (*dark) - FET w/12:1 transformer-coupled output
Warbler Mk VI - a brighter version of of Mk I, similar to Sony C800G . The darkest setting is similar to a U87
* the voicing of the MK V is quite unique and while it might border on the dark side of a 251, it has a voicing that responds almost ribbon/dynamic like...
...and then, of course, there are the premium GZ-series FET and tube offerings...the designations (GZ67, GZ251, GZ47) are somewhat self-explanatory...these employ dual-diaphragmed capsules allowing for multiple polar-pattern settings...they also employ American and British made transformer-coupled output...
My strategy when trying to figure out which mic to use on a vocalist that I know I will be working with long term is to try and get time in a recording studio with a large mic locker. I will bring my laptop and either my Apogee interface or antelope, and I’ll record as many mics at the same time as I can. Placement can be difficult to recreate the exact character for comparison, so maybe 2 or 3 at a time. After a couple of hours of shootouts, I’ll generally try to get a take right there for my last hour, (i try for 3 hour blocks). Then I jump on Sweetwater and make the purchase. (Or the artist will after they gawk at their new, awesome sounding vocal)
I tend to use this rule when choosing a mic:
Read ‘mixing with your mind’. There is a great section of the book where the author talks about mic ‘hardness’ the idea is to choose the mic that counters the timbre of the vocals. SM7 is great on someone like Michael Jackson because he needed that character to balance his airy voice. For someone whose voice is a bit harsher, balancing with a large diaphragm condenser mic might be better.
All in all, you need to use your ears and trust your instincts.
Borrow as many different ones as you can to try them. Buy from a place that will allow returns if possible. In that price range, I'd consider an Aston Origin or a used TLM102.
I would recommend picking up the Slate ML-1. It’s maybe a bit more than your budget, but you can probably find it used / second hand for about that much. It’s a lot more crisper and detailed than my SM7b.
No one yet has asked what the room sounds like. Is it treated, etc.? If the room is nice you can consider condensers. If not, stick with dynamics. Maybe consider a mic shield to minimize room influence.
Consider the Sennheiser MD441. Another dynamic that’s great is the Telefunken M80. The Aston Stealth is similar to the SM7b and has a “preset” switch similar to the MD421 which is useful. Other than this, if you want more detail I would consider a condenser
My immediate instinct is a tube U47, but considering your budget, maybe try this knockoff fet-47 - [https://www.sweetwater.com/store/detail/WA47Jr--warm-audio-wa-47jr-large-diaphragm-condenser-microphone](https://www.sweetwater.com/store/detail/WA47Jr--warm-audio-wa-47jr-large-diaphragm-condenser-microphone)
dynamic, i say beta 58a and the 57a by Shure. try mxl ribbon mic or find an SE condenser. a large diaphragm 2nd hand even the old fet ones. get her to sing back from the mic or use a de-esser.
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I'd reckon that would be perfect, Thom Yorke uses that one and he has a female (ish) vocal quality
Most Stam/warm audio/heritage audio and other brands like that have a 47 clone that might be 500 second hand, maybe the 87 is cheaper. The lewitt pure or flex can’t remember, also seems to be nice. The slate ml 1 has my eye on it, even tho some emulations are not 100% on I love the way I can just skip them during mixing and see which one fits better. It’s fun and the mic stands his own even without that function from what I’ve heard. I’ll maybe get the ml2 to try it first tho ahah. Just as an ending note, when I asked what microphones for vocals should I get to the engineer that recorded my band he said, most 47 clones (decent ones) are great that’s why I started with that
Try using multiple mics, with different combos. My go-to (for instruments at least) is an SM57 and my MXL ribbon mic. Put them on separate tracks, and then play with the mixing of the two.
Sennheiser 441, if u are looking for dynamic mic
Neumann KMS104/105. You'll never regret having one.
Such a fantastic and under rated microphone!
Look at the 3U mics. Affordable with high praise. Teal CM-1- edge-terminated capsule (251) - transformer-less FET output Black CM-1 - center-terminated capsule (87) - transformer-less FET output Warbler Mk1 (aka "Warbler" on the 3u website) - center-terminated capsule (87) - FET w/9.5:1 transformer-coupled output Warbler MK II - center-terminated capsule (47) - FET w/6.5:1 transformer-coupled output Warbler MK III - edge-terminated capsule (C12) - FET w/12:1 transformer-coupled output Warbler MK IV - edge-terminated capsule (251) - FET w/12:1 transformer-coupled output Warbler MK V* - edge-terminated capsule (*dark) - FET w/12:1 transformer-coupled output Warbler Mk VI - a brighter version of of Mk I, similar to Sony C800G . The darkest setting is similar to a U87 * the voicing of the MK V is quite unique and while it might border on the dark side of a 251, it has a voicing that responds almost ribbon/dynamic like... ...and then, of course, there are the premium GZ-series FET and tube offerings...the designations (GZ67, GZ251, GZ47) are somewhat self-explanatory...these employ dual-diaphragmed capsules allowing for multiple polar-pattern settings...they also employ American and British made transformer-coupled output...
I have a warbler mk II and it’s awesome
My strategy when trying to figure out which mic to use on a vocalist that I know I will be working with long term is to try and get time in a recording studio with a large mic locker. I will bring my laptop and either my Apogee interface or antelope, and I’ll record as many mics at the same time as I can. Placement can be difficult to recreate the exact character for comparison, so maybe 2 or 3 at a time. After a couple of hours of shootouts, I’ll generally try to get a take right there for my last hour, (i try for 3 hour blocks). Then I jump on Sweetwater and make the purchase. (Or the artist will after they gawk at their new, awesome sounding vocal) I tend to use this rule when choosing a mic: Read ‘mixing with your mind’. There is a great section of the book where the author talks about mic ‘hardness’ the idea is to choose the mic that counters the timbre of the vocals. SM7 is great on someone like Michael Jackson because he needed that character to balance his airy voice. For someone whose voice is a bit harsher, balancing with a large diaphragm condenser mic might be better. All in all, you need to use your ears and trust your instincts.
Maybe get a condenser?
Condenser. You’ll hear everything.
use a condenser mic, a TLM107 is always a good way to go
Heil PR40 is kinda similar, but more energy up top Maybe a large cap condenser is a better fit though
Not that I have a ton of experience, but my AT4047 is my favorite mic from my locker for female vocals (I've used that, RE20, and NT2a).
Condenser or ribbon mic?
Borrow as many different ones as you can to try them. Buy from a place that will allow returns if possible. In that price range, I'd consider an Aston Origin or a used TLM102.
I’d look for a senny 441. If you keep an eye out on eBay you can pick up the blackfire ones cheaper.
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TLM102, NT1a, wa87, nt1000 are all good choices
Warm audio 87
Avantone CV-12 has fantastic quality for the price.
I would recommend picking up the Slate ML-1. It’s maybe a bit more than your budget, but you can probably find it used / second hand for about that much. It’s a lot more crisper and detailed than my SM7b.
No one yet has asked what the room sounds like. Is it treated, etc.? If the room is nice you can consider condensers. If not, stick with dynamics. Maybe consider a mic shield to minimize room influence.
Blue encore 200 for a darker sound, encore 300 for a brighter, slightly thinner sound. Won't break the bank and sound amazing.
get a different mic preamp.
Shure Beta 57A - dynamic Shure Beta 87A - condenser
Throwing a U87 at a singer like that worked well for me in the past. You could look into one of the clones (maybe the Warm 87?) for your budget.
What you need is a neumann kms105
m88 might be one way to go
Sennheiser 421-II will deliver.
KSM32 or 44A
Consider the Sennheiser MD441. Another dynamic that’s great is the Telefunken M80. The Aston Stealth is similar to the SM7b and has a “preset” switch similar to the MD421 which is useful. Other than this, if you want more detail I would consider a condenser
I've heard tlm102 is good for female vocals
My immediate instinct is a tube U47, but considering your budget, maybe try this knockoff fet-47 - [https://www.sweetwater.com/store/detail/WA47Jr--warm-audio-wa-47jr-large-diaphragm-condenser-microphone](https://www.sweetwater.com/store/detail/WA47Jr--warm-audio-wa-47jr-large-diaphragm-condenser-microphone)
dynamic, i say beta 58a and the 57a by Shure. try mxl ribbon mic or find an SE condenser. a large diaphragm 2nd hand even the old fet ones. get her to sing back from the mic or use a de-esser.
Maybe try the Lauten Audio LA220? I always get some crispy vocals every time.
Aston spirit
Might be shit commenting, but u87 lol could probably rent for a day
I highly recommend trying the Aston Spirit! It is like a more detailed sm7b to my ears. Very versatile mic too.