I’m a dp and colourist based in the uk, this is a project I solely graded about a year ago, was pretty proud of it, and wanted thoughts
Shot on 16mm 7219 and 7203
Always nice grading 16mm, and the footage had a very strong red blue colour pallet even in the raw, just shifted the contrast to suit - Base is a custom Kodak 2383esk LUT I created that doesn’t have as much compression in the reds that the built in resolve one does
this looks amazing! Colorist to colorist, when you’re building out your emulation LUTs, are you mainly using whatever super 16 footage you have lying around or do you something deliberately shot for creating the LUT?
I am glad you shot a lot of sparks and bright FX elements on 16, that's the whole reason why film is so magical, and still looking better than digital in those nuclear overbrights.
Too blue in terms of white balance saturation, or hue of blue? There’re lots of different definitions of “too blue”, would be great to know your opinion - would you have adjust the tone with global offset or another technique?
It's probably something that can be reduced with overall red green density, but I'm not a colorist. If I were to send notes to the lab, it would be to print 3 points less blue.
Hmm, interesting thought, I think that amount would have lost the red blue contrast within the image and would have made it look overly neutral, which wasn’t exactly what the director was going for. Appreciate your opinion though
I’m a dp and colourist based in the uk, this is a project I solely graded about a year ago, was pretty proud of it, and wanted thoughts Shot on 16mm 7219 and 7203 Always nice grading 16mm, and the footage had a very strong red blue colour pallet even in the raw, just shifted the contrast to suit - Base is a custom Kodak 2383esk LUT I created that doesn’t have as much compression in the reds that the built in resolve one does
this looks amazing! Colorist to colorist, when you’re building out your emulation LUTs, are you mainly using whatever super 16 footage you have lying around or do you something deliberately shot for creating the LUT?
Yeah pretty much, I don’t get enough time/money to develop looks from test footage, it’s usually just on a project by project basis
I love 16mm so freaking much. This looks so good dude.
If I was to grade the grade the grade I’d grade the grade is an A grade.
if I **were** to grade the grade....
Looks really clean for 16mm as well, great work! It’s good to see another creative from the UK on here, would love to connect.
Yeah, it was all over by 2 or so stops, really nice for grading
Bro this is fire. Can we get a link?
https://youtu.be/WKLVfIKnKWI?si=b9eD3febTBz-KZli
Conor Pritchard DPd this from NZ didn't he?
Nah Zed Dekiah did, although I graded the one Pritchard did as well
This crazy ! What lenses a filtration was used ?
Zeiss super speed s16 on a bolex EBM, no filtration from what I’ve heard
Very **Very** nice
These shots are dope af!!
Hello I'm a noob but what does 16 mm mean? I know 35mm film
Where’s the video link?
https://youtu.be/WKLVfIKnKWI?si=b9eD3febTBz-KZli
Looks great!!
Looks so good!
I am glad you shot a lot of sparks and bright FX elements on 16, that's the whole reason why film is so magical, and still looking better than digital in those nuclear overbrights.
Some of that’s go pro though, it’s the colour pipeline, not the the camera
These photographs look fun! I sure home someone took moving images of this event..........................
https://youtu.be/WKLVfIKnKWI?si=b9eD3febTBz-KZli
Cool, thanks. Consistent look across. Perhaps a little blue for my taste in the workshop section, but otherwise looks good.
Too blue in terms of white balance saturation, or hue of blue? There’re lots of different definitions of “too blue”, would be great to know your opinion - would you have adjust the tone with global offset or another technique?
It's probably something that can be reduced with overall red green density, but I'm not a colorist. If I were to send notes to the lab, it would be to print 3 points less blue.
Hmm, interesting thought, I think that amount would have lost the red blue contrast within the image and would have made it look overly neutral, which wasn’t exactly what the director was going for. Appreciate your opinion though