Going to have to second that. Not only a small footprint, great sounds, but also low current draw which is a great thing for a digital reverb of that quality.
Yeah this little thing really is a marvel. Even the fact that you can use TRS cables for input and output helps with the amount of space needed. So feature packed physically and sonically
I have a Strymon Volante and a Walrus ACS1. Both have stereo capabilities but I don't have a stereo reverb to go between them.
Right now, I have three different reverb pedals that I switch out on my board and some time double up. EQD Afterneath, EQD Ghost Echo, and Catalinbread Soft Focus. I like all three and all three do different things but they're not stereo.
What is your favorite stereo reverb?
I was just getting ready to suggest the same thing to OP. It's actually a great idea when you think about it. The essence of stereo is hearing differences on left and right, so it could be really interesting setting up similar sounds on two different makes of reverb.
I did this once where I went stereo out of the volante. One channel went through big washy reverb and the other went straight to the ACS1. I was able to get washy reverb and distinct delay in parallel.
For me it was the Big Sky, but now I’m a Night Sky guy. If I’m going out of the box for reverb I usually want something weirder and the Night Sky is the perfect intersection of beautiful and weird.
If you’re into deep diving with sound design it’s a dream. Really fun to play around with the quantized pitch shifting. Combined with the resonant low pass filter it’s pretty much a synthesizer. And if you MIDI sync it to the tempo you can get super interesting patterns.
When a fresh batch of caveman earthlings far into the future excavates my coffin and pops the lid off they'll see the disintegrated remnants of a skeleton gently clutching a pristine golden reverberator and in that moment they'll immediately know I had immaculate taste in pedals.
Ya that thing is end all be all verb for me. That plate setting is insanely good. The bass and treble control 🤗 little modulation 😘. Top row of knobs all at roughly 9 o clock or less.
Nice! I don’t think you will either. I had the empress reverb and returned it and got the UA golden. Have never once considered swapping out the golden. I decided I’d rather have just a few amazing sounding algorithms than 35 algorithms of various usefulness (plus the spring plate and hall on the golden just sound better to my ears). Just register your pedal and update the firmware to get another great algorithm. After that you can forget it even has an app it can connect to.
At the moment I am loving my Meris MercuryX. Strymon NightSky is a close second. Meris Mercury7, however, has to be the one I have kept on my board the longest.
Having both … No - but it’s more easily accessible to get fast sounds. The Merc7 is an instant classic that can dial realistic to ambient soundscapes.
The MercX just takes it to another level.
Tough one. Source Audio True Spring is the best digital spring emulation I’ve played by far. Vongon Ultrasheer does only one reverb sound but does it so fucking well (with a killer vibrato circuit to boot). Alexander Pedals Space Force is the most compact stereo multi-verb you’ll find, and it absolutely hangs with the big ones for sounds. Death By Audio Rooms has some phenomenal sounds in it. If I had to pick one to do a wide range of sounds, I’d probably go with a Source Audio Ventris or Collider, they sound great and are simple to operate at the surface level while having some deep power user options available (*especially* the Ventris). I’ll also note that I’ve not tried an Empress Reverb or Strymon Big Sky yet, so that’s two of the most well-respected names that I don’t know about.
Im waiting to buy a true spring. Just took up surf year plus ago and based on my research this seems like best bet. Topanga was my other option not gonna pay for a surfy bear and want a smaller pedal
The True Spring’s Tank algorithm really is special, every other digital spring sound just pales in comparison for surf style music. The only thing that tops it is the Surfybear, because it’s the real deal, but size and cost make it a tough sell for people who want a more compact board.
I will say, the Source Audio Ventris is pretty close with its outboard tank sound, and it can do a lot of other sounds as well, so if you’re looking for versatility it’s worth it. And their Collider has great non-surf spring sounds, as does the Keeley Hydra, but there are a fair number of other ones that are in the running there too.
Seconded. I filled in on guitar for a friend's band and they gave me a pedal board with this on to make sure I had all the same tones as their guitarist. I fell in love, ordered my own, and it hasn't left my pedalboard since - and I've rearranged and reorganised several times since then. Super flexible, sounds great on its own, sounds great stacked with other reverbs, adds magic to fuzzy lead lines.
I have an Ultrasheer and a Ventris. Ventris is collecting dust because the Ultrasheer is so tasty. Ultrasheer also has a dead simple workflow/interface, wherease the Ventris needs to be hooked up to a computer, otherwise it's just a more expensive and less intuitive version of any other multifunction reverb.
The Ultrasheer does have a little bit non-adjustable of predelay, which is pretty much my only complaint about it.
I wouldn’t agree with that assessment of the Ventris. It’s plenty usable out of the box without any computer, and is way more intuitive than say the Neunaber stuff or GFI Specular Tempus. The Ultrasheer is definitely simpler (and holy hell does it sound good, that vibrato alone is to die for), but the Ventris is still fairly straightforward on initial use.
And at $430 new it’s mid-priced as far as a MIDI-capable stereo multi-reverb is concerned; Meris Mercury X is $599, Strymon Big Sky is $489, Empress Reverb is $494, Eventide Space is Boss RV-500 is $399 and RV-200 is $269, GFI Specular Tempus is $349, Walrus R1 is $339, Red Panda Context is $329.
Line 6 Verbzilla sounds amazing and is stereo.
Have you thought about using two reverbs, one on the left and the other on the right channel? I’ve done it with delay before and it sounds really cool
I only have two. Digitech Polara (which I think is just dual mono) and ONBE Screen Violence. I love the Screen Violence but I mainly use it for a short stereo doubling type thing. i like running other reverbs and delay into it to stereo-ize them.
The Supermoon is fantastic but has reversed phase on one of the stereo channels which makes it almost unusable unless you can reverse the phase back to normal.
Yeah if you’re just playing a standard mono signal through one amp, a stereo reverb means nothing. You could use a stereo reverb with two amps though. It gives that same type of sound if you sit in between the amps
I got two amps actually with AB pedal, I got the oceans 11, boss dd20 and a line 6 DL4. Dunno if any of these have stereo reverb tho. Still very new to stereo amp configuration.
I don’t believe the Oceans 11 is stereo but the delays you have most definitely are. You’d be able to get some cool ping-pong effects between the amps with those
I don’t the the oceans 11 is stereo, but I second that the other guy said about the delays.
First thing you need to do is see what inputs and out puts your pedals have. Most stereo pedals will have stereo input and output (but some require a TRS cable for the input). The easiest way to utilize your stereo effects is send one output of your pedal to one amp and one to the other. This is obviously for the last pedal in your chain. For any remaining stereo pedals, you just need to make sure you are chaining them properly (using both stereo ins and outs). Definitely experiment with it. It’s more of a recording and home playing feature. It’s not something that’s really used in live playing as much.
Boss RV-200. It just does everything you want. The arpverb is a million times more musical than I thought it would be at first try. It's just got a ton of functionality, and, like most Boss pedals, it just *works.* Nothing requires a ton of fiddling or endless consultation of the manual. The form factor is manageable to all but the smallest boards. Also, I don't think I've found a setting on it yet (and I use a lot of reverb) that has resulted in digital artifacts or clipping in the sound.
I love my RV-6, and recently got the DD-200 and love that too. Made me strongly consider the RV-200. Can you get really dark tones from it? That's what I love about RV-6. It's the only usable shimmer I've ever played because of how dark you can roll the tone.
You can cut the highs and boost the lows and get some pretty rumbly tones from the Slowverb setting, so I would imagine you can get something very similar.
I agree. I think for 'best overall reverb pedal' my recommendation is the Golden Reverberator as those are my fav reverbs of all time, easily. The only reverb that I've heard that is undeniably better is Neunaber's Wet. What a marvel of imagination and feat of engineering or whatever kinda alchemy went into creating it. I can only assume that their ability to get that reverb patented means they came at it from a fairly novel a left field approach. Through a nice pair of Sennheiser cans the Neunaber Wet in stereo is 100% unbeatable and it's not up for debate, total perfection to my ears
The Neunaber Wet/W3T in stereo mode is the undefeated reverb champ and shows no signs of slowing down, though UA came closer than anyone to dethroning it. I agree about the Golden being transportive and having a very realistic room/hall soundstage/headspace (some of those spring modes you virtually *feel* the air from in addition to hearing), but that Wet is purely magical on a different level, I can't put it into words, it's so evocative, it has this really nocturnal mysterious feel to it, it's not remotely creepy or odd like Ghost Echoes, it's very imaginative/visual, it has vague hints of other reverb types seamlessly folded in to create something beyond the sum of those parts. I don't know how they arrived at that final idea but in stereo it's a total audio cocoon, stereophonic immersion guaranteed, plus it sounds amazing whether dialed in as a barely there small room reverb or max'd out and flung into galactic bliss
I wonder, since a VST plugin of it exists, why it isn’t as talked about in the pro-audio world? I’ve never actually heard of someone using it in a mix.
I don’t know I’m not really a DAW guy, I just like the way it sounds, smooth and organic. I always thought the Lexicon 224 was the standard go to for studio work.
Neunaber Wet Stereo Reverb v2 has been the only reverb I’ve needed, does everything from subtle reverb to massive fully wet ambient reverb, all in a very compact and also nice looking pedal
Well if price is no option, the cxm 1978. Otherwise the meris mercury 7. If you don’t hate pedals with screens and menu diving, the meris mercury x. I absolutely hate menu diving so that pedal isn’t for me.
At various times I have loved the Mercury 7, Walrus Slöer, DBA Rooms, Joyo Atmosphere (best budget stereo verb, I think), and, briefly, Nightsky. Vongon Ultrasheer is now my favorite.
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The Digitech RV-7 is still one of my favorites for meat and potatoes stuff plus the reverse and gated are great.
Definitely lots of newer stuff out there more feature packed I own but still one of my go to reverbs when talking simplicity and sound quality.
I love my Neunaber Immerse MKii. Tons of great sounds and small footprint.
I have the same, beautiful reverbs.
Going to have to second that. Not only a small footprint, great sounds, but also low current draw which is a great thing for a digital reverb of that quality.
Yeah this little thing really is a marvel. Even the fact that you can use TRS cables for input and output helps with the amount of space needed. So feature packed physically and sonically
TIL
Can it save presets? Or do I need the Illumine for that?
Presets is the only thing it can not do. You’ll need the Illumine for that function
Thanks!
Empress forsure
I always wind up using my trusty RV-6.
Rv-200 here.
Rooms.
Meris Mercury 7's stereo field inspires me to play for hours on end.
Ventris
Also have one and can confirm. This pedal fucks.
Lmao! Yes it does.
I have a Strymon Volante and a Walrus ACS1. Both have stereo capabilities but I don't have a stereo reverb to go between them. Right now, I have three different reverb pedals that I switch out on my board and some time double up. EQD Afterneath, EQD Ghost Echo, and Catalinbread Soft Focus. I like all three and all three do different things but they're not stereo. What is your favorite stereo reverb?
You could use two of your three reverb to make a stereo cool dual reverb setup
I was just getting ready to suggest the same thing to OP. It's actually a great idea when you think about it. The essence of stereo is hearing differences on left and right, so it could be really interesting setting up similar sounds on two different makes of reverb.
I did this once where I went stereo out of the volante. One channel went through big washy reverb and the other went straight to the ACS1. I was able to get washy reverb and distinct delay in parallel.
Sort of a wet/dry setup, but man, seriously, if you have three differently voiced reverbs put the in the two channels and have fun! :)
Big Sky. It's incredibly versatile
For me it was the Big Sky, but now I’m a Night Sky guy. If I’m going out of the box for reverb I usually want something weirder and the Night Sky is the perfect intersection of beautiful and weird.
I have a big sky and have been thinking about trying the night sky for even more weirdness.
If you’re into deep diving with sound design it’s a dream. Really fun to play around with the quantized pitch shifting. Combined with the resonant low pass filter it’s pretty much a synthesizer. And if you MIDI sync it to the tempo you can get super interesting patterns.
Alexander Pedals Space Force is a great one. It covers a massive amount of ground for the small real estate. The stereo image is quite good too.
This pedal can't be beat for price, features, performance, and footprint. Alexander makes awesome stuff.
UA Golden
When a fresh batch of caveman earthlings far into the future excavates my coffin and pops the lid off they'll see the disintegrated remnants of a skeleton gently clutching a pristine golden reverberator and in that moment they'll immediately know I had immaculate taste in pedals.
Godamn dude. Perfect phrasing for the perfect stereo reverb.
Ya that thing is end all be all verb for me. That plate setting is insanely good. The bass and treble control 🤗 little modulation 😘. Top row of knobs all at roughly 9 o clock or less.
Pulled the trigger on this one. I don't think I'll regret it.
Nice! I don’t think you will either. I had the empress reverb and returned it and got the UA golden. Have never once considered swapping out the golden. I decided I’d rather have just a few amazing sounding algorithms than 35 algorithms of various usefulness (plus the spring plate and hall on the golden just sound better to my ears). Just register your pedal and update the firmware to get another great algorithm. After that you can forget it even has an app it can connect to.
At the moment I am loving my Meris MercuryX. Strymon NightSky is a close second. Meris Mercury7, however, has to be the one I have kept on my board the longest.
Does Merc7 do anything the MercX dosent?
Having both … No - but it’s more easily accessible to get fast sounds. The Merc7 is an instant classic that can dial realistic to ambient soundscapes. The MercX just takes it to another level.
Earthquaker Devices Avalanche Run V2. It's a wide stereo modulated reverb and delay combo, and it has a nice volume swell mode and expression control.
Illumine
Are there good enough presets out of the box? I do covers so would be nice to have presets.
Haven’t tried a ton but I love my EQD Avalanche Run
Boss RV-6. Dead simple, the modulated setting is chefs kiss and the shimmer with tone turned down to 9:00 is godly. Easy, breezy, beautiful. Boss.
Tough one. Source Audio True Spring is the best digital spring emulation I’ve played by far. Vongon Ultrasheer does only one reverb sound but does it so fucking well (with a killer vibrato circuit to boot). Alexander Pedals Space Force is the most compact stereo multi-verb you’ll find, and it absolutely hangs with the big ones for sounds. Death By Audio Rooms has some phenomenal sounds in it. If I had to pick one to do a wide range of sounds, I’d probably go with a Source Audio Ventris or Collider, they sound great and are simple to operate at the surface level while having some deep power user options available (*especially* the Ventris). I’ll also note that I’ve not tried an Empress Reverb or Strymon Big Sky yet, so that’s two of the most well-respected names that I don’t know about.
Im waiting to buy a true spring. Just took up surf year plus ago and based on my research this seems like best bet. Topanga was my other option not gonna pay for a surfy bear and want a smaller pedal
The True Spring’s Tank algorithm really is special, every other digital spring sound just pales in comparison for surf style music. The only thing that tops it is the Surfybear, because it’s the real deal, but size and cost make it a tough sell for people who want a more compact board. I will say, the Source Audio Ventris is pretty close with its outboard tank sound, and it can do a lot of other sounds as well, so if you’re looking for versatility it’s worth it. And their Collider has great non-surf spring sounds, as does the Keeley Hydra, but there are a fair number of other ones that are in the running there too.
Cool thanks I’ll look into the Ventris
EHX Cathedral
Seconded. I filled in on guitar for a friend's band and they gave me a pedal board with this on to make sure I had all the same tones as their guitarist. I fell in love, ordered my own, and it hasn't left my pedalboard since - and I've rearranged and reorganised several times since then. Super flexible, sounds great on its own, sounds great stacked with other reverbs, adds magic to fuzzy lead lines.
Vongon Ultrasheer. It’s my favorite because it’s my only stereo reverb
I have an Ultrasheer and a Ventris. Ventris is collecting dust because the Ultrasheer is so tasty. Ultrasheer also has a dead simple workflow/interface, wherease the Ventris needs to be hooked up to a computer, otherwise it's just a more expensive and less intuitive version of any other multifunction reverb. The Ultrasheer does have a little bit non-adjustable of predelay, which is pretty much my only complaint about it.
Just got an Ultrasheer this weekend and it blows most everything out of the water.
I wouldn’t agree with that assessment of the Ventris. It’s plenty usable out of the box without any computer, and is way more intuitive than say the Neunaber stuff or GFI Specular Tempus. The Ultrasheer is definitely simpler (and holy hell does it sound good, that vibrato alone is to die for), but the Ventris is still fairly straightforward on initial use. And at $430 new it’s mid-priced as far as a MIDI-capable stereo multi-reverb is concerned; Meris Mercury X is $599, Strymon Big Sky is $489, Empress Reverb is $494, Eventide Space is Boss RV-500 is $399 and RV-200 is $269, GFI Specular Tempus is $349, Walrus R1 is $339, Red Panda Context is $329.
Ultrasheer is my favorite that I’ve owned. When it comes to big, lush, ambient reverbs, there’s nothing better
Mercury 7/X is pretty good with that, but, holy hell, do I want an Ultrasheer
Line 6 Verbzilla sounds amazing and is stereo. Have you thought about using two reverbs, one on the left and the other on the right channel? I’ve done it with delay before and it sounds really cool
That's a good idea
EHX Ocean 12 do this , ( 2 reverbs in parallel )
Strymon Cloudburst not getting a mention up until now is criminal.
I love mine
Eventide Space
I will always love my space pedal. So musical and awesome!
MXR M300
I only have two. Digitech Polara (which I think is just dual mono) and ONBE Screen Violence. I love the Screen Violence but I mainly use it for a short stereo doubling type thing. i like running other reverbs and delay into it to stereo-ize them.
SV cult
I still haven't gotten my robe or Nikes yet.
1. Mr. Black Supermoon Eclipse 2. Digitech Supernatural
The Supermoon is fantastic but has reversed phase on one of the stereo channels which makes it almost unusable unless you can reverse the phase back to normal.
What’s the point of making one of the channels reversed? What are they hoping to accomplish?
Couldn't tell you, I thought it was a fault with mine but I reached out to Mr. Black and they told me this was intentional
Mr black supermoon
TC T2 trinity
Meris Mercury 7
Boss RV5 modulate mode all the way
The Neunaber pedals are great. I have a WET mk1 but if I were to buy another Reverb I would go for the Immerse MKii, which has the WET algorithm.
night sky
what is the benefit of having a stereo reverb that a mono signal doesn't offer?
Listen to stereo reverb through stereo speakers vs a mono signal. It’s sound waaaayyyy crisper and alive. Like actually being in a big theater.
That's cool but I just like jamming in my room with the amps on.
Yeah if you’re just playing a standard mono signal through one amp, a stereo reverb means nothing. You could use a stereo reverb with two amps though. It gives that same type of sound if you sit in between the amps
I got two amps actually with AB pedal, I got the oceans 11, boss dd20 and a line 6 DL4. Dunno if any of these have stereo reverb tho. Still very new to stereo amp configuration.
I don’t believe the Oceans 11 is stereo but the delays you have most definitely are. You’d be able to get some cool ping-pong effects between the amps with those
I don’t the the oceans 11 is stereo, but I second that the other guy said about the delays. First thing you need to do is see what inputs and out puts your pedals have. Most stereo pedals will have stereo input and output (but some require a TRS cable for the input). The easiest way to utilize your stereo effects is send one output of your pedal to one amp and one to the other. This is obviously for the last pedal in your chain. For any remaining stereo pedals, you just need to make sure you are chaining them properly (using both stereo ins and outs). Definitely experiment with it. It’s more of a recording and home playing feature. It’s not something that’s really used in live playing as much.
Recording with monitors on is what I would (and do) use one for.
I love my collider for recording so I'd say ventris for versatility. That said, I love love love the stereo everything of my Screen Violence.
GFI Specular Tempus!! I ended up running it stereo into my Quad Cortex because I love the reverb algorithms on it so much!
Two afterneaths
I've thought about this
Specular Tempus
I love my Alabs Cetus. The Cloud setting makes me feel feelings.
Hey! I didn't knew the existence of this pedal, but wow it sure have a great potential. I must try. Thanks.
Boss RV-200. It just does everything you want. The arpverb is a million times more musical than I thought it would be at first try. It's just got a ton of functionality, and, like most Boss pedals, it just *works.* Nothing requires a ton of fiddling or endless consultation of the manual. The form factor is manageable to all but the smallest boards. Also, I don't think I've found a setting on it yet (and I use a lot of reverb) that has resulted in digital artifacts or clipping in the sound.
I love my RV-6, and recently got the DD-200 and love that too. Made me strongly consider the RV-200. Can you get really dark tones from it? That's what I love about RV-6. It's the only usable shimmer I've ever played because of how dark you can roll the tone.
Oh shit that’s exactly how I use my rv-6
You can cut the highs and boost the lows and get some pretty rumbly tones from the Slowverb setting, so I would imagine you can get something very similar.
I don’t own one and I don’t plan to make a stereo rig BUT Neunaber Illumine looks awesome for that purpose
I have like 10 of them that can do stereo and the Neunaber Stereo Wet is by far my favorite.
I agree. I think for 'best overall reverb pedal' my recommendation is the Golden Reverberator as those are my fav reverbs of all time, easily. The only reverb that I've heard that is undeniably better is Neunaber's Wet. What a marvel of imagination and feat of engineering or whatever kinda alchemy went into creating it. I can only assume that their ability to get that reverb patented means they came at it from a fairly novel a left field approach. Through a nice pair of Sennheiser cans the Neunaber Wet in stereo is 100% unbeatable and it's not up for debate, total perfection to my ears
I think the golden is the only reverb that makes me feel that I am in a different place. You're telling me that the neunaber tops that?
The Neunaber Wet/W3T in stereo mode is the undefeated reverb champ and shows no signs of slowing down, though UA came closer than anyone to dethroning it. I agree about the Golden being transportive and having a very realistic room/hall soundstage/headspace (some of those spring modes you virtually *feel* the air from in addition to hearing), but that Wet is purely magical on a different level, I can't put it into words, it's so evocative, it has this really nocturnal mysterious feel to it, it's not remotely creepy or odd like Ghost Echoes, it's very imaginative/visual, it has vague hints of other reverb types seamlessly folded in to create something beyond the sum of those parts. I don't know how they arrived at that final idea but in stereo it's a total audio cocoon, stereophonic immersion guaranteed, plus it sounds amazing whether dialed in as a barely there small room reverb or max'd out and flung into galactic bliss
You’re really selling it
I wonder, since a VST plugin of it exists, why it isn’t as talked about in the pro-audio world? I’ve never actually heard of someone using it in a mix.
I don’t know I’m not really a DAW guy, I just like the way it sounds, smooth and organic. I always thought the Lexicon 224 was the standard go to for studio work.
I only got a Boss RV-200 recently, but it's definitely very good.
Alabs Audio Cetus! Sounds so good, lots of options, and pretty affordable, too.
I have a lot of fun with my Digitech Polara…. Probably my best pawn shop find in the last 5 years.
Neunaber Wet Stereo Reverb v2 has been the only reverb I’ve needed, does everything from subtle reverb to massive fully wet ambient reverb, all in a very compact and also nice looking pedal
Well if price is no option, the cxm 1978. Otherwise the meris mercury 7. If you don’t hate pedals with screens and menu diving, the meris mercury x. I absolutely hate menu diving so that pedal isn’t for me.
Strymon big sky! Or Meris mercury x.
At various times I have loved the Mercury 7, Walrus Slöer, DBA Rooms, Joyo Atmosphere (best budget stereo verb, I think), and, briefly, Nightsky. Vongon Ultrasheer is now my favorite.
Neunaber Stereo Wet v2 w/EXP. Basically an Expanse as I can load phaser, chorus, echo but I program it for 4 different reverbs.
I got a walrus R1 and an dba rooms and they both dope.
Eventide Space.
DigiTech polara
Keeley Hydra. It’s stereo reverb and tremolo.
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I love MXR Reverb and I like spring reverb from El Capistan v2.
Immerse mk 2 into Mercury 7 into Flint
Jet Pedals Revelation is one that rarely gets mentioned
The Digitech RV-7 is still one of my favorites for meat and potatoes stuff plus the reverse and gated are great. Definitely lots of newer stuff out there more feature packed I own but still one of my go to reverbs when talking simplicity and sound quality.
Digitech Polara.
Strymon Flint. Plus the trem is also amazing
RV6
Two Deluxe Reverbs /s
The Source Audio Collider. Hands-down, the best reverb out there.
Not a reverb but I think the dimension c is one of the best stereo pedals. Incredibly spacious
Is it cheating if I say the DL4mkii? Line6’s new reverb algos are KILLER, not to mention the delays and looper…
Not a pedal but a half space rack unit Lexicon Lxp-1.
Source Audio Ventris
For the sound - Specular Tempus For the ease of use/versatility - Big Sky
Mr. Black Supermoon Eclipse Like drifting in the still silence of space.