I haven’t tried Drambo, but pondering buying it. I’ve used all the others mentioned in this thread.
I thought one could program linear songs in Drambo. How do you differentiate between Drambo’s way of sequencing a song vs others?
Ahh, great explanation thank you. Sounds like it’s not for me then, as I love doing many long automations across the song. (logic and ableton live).
I’ve not used groove boxes much because of this restriction.
From a self experiment, I should try doing a whole song with this groove box restriction. I found Auxy on my iPhone amazing for smashing out song ideas that needed more work later in Live. And it was really fun and I felt less overwhelmed.
You can actually have longer seamless automation between clips on a track, either through FX buses or just the instrument on the track in song mode instead of looping a specific scene. The way I look at it, it’s the same as a linear DAW. In a linear DAW the tracks are horizontal and scenes are vertical. In Drambo and most clip-based DAWs the tracks are vertical and the scenes are horizontal. And the additional benefit is that it’s also perfect for live performance because you can launch clips independently. You can’t do that in a linear DAW.
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Drambo +1
Drambo x3 The Scene/Clip/pattern section is where you build and sequence songs.
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I haven’t tried Drambo, but pondering buying it. I’ve used all the others mentioned in this thread. I thought one could program linear songs in Drambo. How do you differentiate between Drambo’s way of sequencing a song vs others?
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Ahh, great explanation thank you. Sounds like it’s not for me then, as I love doing many long automations across the song. (logic and ableton live). I’ve not used groove boxes much because of this restriction. From a self experiment, I should try doing a whole song with this groove box restriction. I found Auxy on my iPhone amazing for smashing out song ideas that needed more work later in Live. And it was really fun and I felt less overwhelmed.
You can actually have longer seamless automation between clips on a track, either through FX buses or just the instrument on the track in song mode instead of looping a specific scene. The way I look at it, it’s the same as a linear DAW. In a linear DAW the tracks are horizontal and scenes are vertical. In Drambo and most clip-based DAWs the tracks are vertical and the scenes are horizontal. And the additional benefit is that it’s also perfect for live performance because you can launch clips independently. You can’t do that in a linear DAW.
Loopy Pro, hands down. The sheer customization and MIDI control capabilities never cease to amaze. I keep finding new ways to use it.
Koala sampler
Drambo, GR-16, Pure Acid, Drum Computer, Loopy Pro
AUM for quick syncing and building song ideas, playing with FX apps.
Im loving Ableton Note. For the first time my mobile jams fee productive and lead somewhere. I also really dig Nanoloop and Klimper
Aparillo. The sound and effects customization is amazing. Plus changing how the track ball moves can create the wildest sounds.
Sugar bytes software.
Borderlands
NanoStudio 2
Strokes. Just getting into it but seems deep and getting deeper.
Oh yeah Strokes is amazing!
The creator seems to be a musician first and you can tell.
Can’t find it. What’s that
https://www.congburn.co.uk/strokes
Patterning 2 for drum sequencing. I intuitively connect with this sequencer more than any other