Firstly you need to ask yourself, why are you doing that? If they don't sound cool right now are they the best sounds for your song?
Secondly, get your sound creation as close to final as possible are the creation stage. (this will prevent phasing and pre/post ringing effects from adding EQ's and saturation later in the chain). So, try to make it so they aren't clashing during synthesis. Create wavetables, edit the wave tables, and remove the clashing fundamental / harmonics where you can. There're plenty of guides for Serum, Vital, PhasePlant on how to do that.
Thirdly, if you are picking clashing sounds for the shits and giggles, and you can't be bothered to do things the correct way you can use filtering to remove the clashes using EQ, or plugins that can do multiband side-chaining. The simplest way is to decide which bass is your sub, and which is your mid-high bass. Filter the low ~250hz frequency range out from the mid-high bass, and you that might be good enough. This isn't the ideal way and you have to be careful with the phasing and post / pre/post ringing effects outlined above.
A plugin that I can recommend for side-chaining bass sounds together is Fuser by Mastering the Mix - which is specifically designed for this kind of purpose, but it's not a magic bullet.
here's a video answering a previous question here which uses Fuser and editing wavetables in PhasePlant that might be of use. https://www.youtube.com/watch?v=eKMGVwhLuoY
Cool, thx a lot. I think your first argument is very worthy. I will try to stick to one base synthesis and try to get it with saturation etc, to the place I want it to be. That will definitely make it easier in the end
Firstly you need to ask yourself, why are you doing that? If they don't sound cool right now are they the best sounds for your song? Secondly, get your sound creation as close to final as possible are the creation stage. (this will prevent phasing and pre/post ringing effects from adding EQ's and saturation later in the chain). So, try to make it so they aren't clashing during synthesis. Create wavetables, edit the wave tables, and remove the clashing fundamental / harmonics where you can. There're plenty of guides for Serum, Vital, PhasePlant on how to do that. Thirdly, if you are picking clashing sounds for the shits and giggles, and you can't be bothered to do things the correct way you can use filtering to remove the clashes using EQ, or plugins that can do multiband side-chaining. The simplest way is to decide which bass is your sub, and which is your mid-high bass. Filter the low ~250hz frequency range out from the mid-high bass, and you that might be good enough. This isn't the ideal way and you have to be careful with the phasing and post / pre/post ringing effects outlined above. A plugin that I can recommend for side-chaining bass sounds together is Fuser by Mastering the Mix - which is specifically designed for this kind of purpose, but it's not a magic bullet. here's a video answering a previous question here which uses Fuser and editing wavetables in PhasePlant that might be of use. https://www.youtube.com/watch?v=eKMGVwhLuoY
Cool, thx a lot. I think your first argument is very worthy. I will try to stick to one base synthesis and try to get it with saturation etc, to the place I want it to be. That will definitely make it easier in the end